Leverett Saltonstall Quotes
Quotes to Explore
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There were a couple of things I needed to do while I was in New York. One was to have a pizza pie, one was to get a tattoo... and the other was to get a Yankees hat.
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I think what human beings need is to be able to laugh at the absurd, hold on to ambiguity, and learn to love nuance, instead of making everything one or the other, and structurally, so much of the Internet and online publishing doesn't have room for any of that.
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Medicine, you see, is my first love; whether I write fiction or nonfiction, and even when it has nothing to do with medicine, it's still about medicine. After all, what is medicine but life plus? So I write about life.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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I live in a state of hypersensitivity, and I've always had this feeling that something bad is going to happen to myself, or my wife and children. This manifests itself in different fears and visions.
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I'm just there to do interviews and stuff, because we have about 40 media people there, so it's a very, very busy week. But that's the only time. I did marry, I think on one show, about 25 couples in Acapulco Bay once, but that was all just for kicks.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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If I'm gonna write songs about my exes, they can write songs about me. That's how it works.
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It seems to me that Halloween is the perfect time to get all over steampunk.
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I was working at the NSA. I don't know, I was just bored. I just knew that's not what I was supposed to be doing with my life.
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Society tells you that when you're old you have to retire. You have to defy that.
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I'm an artist. So if acting doesn't work out, which I hope it does, I'm probably going to go into graphic design or something like that.
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I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. We've got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
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I think the reason I love 'Antiques Roadshow' is that it is sort of like the lottery. There's the chance a regular Joe could walk in with anything and come out close to a millionaire. There's the thrill of the find.
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I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
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It's common in rural Ireland to pick up a nickname that relates to an animal, bird, or a spider. Mine became 'scorpion' because I fought back, and scorpions are docile creatures until pushed too far.
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I'm not interested so much in collaboration. You see that from the history of my albums.
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I used to run track in high school and was unexceptional in every way.
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When I watch myself, I see nothing but faults, like, 'This I need to do different, this I need to do different,' and so if there comes a point in time where I'm like, 'Man, this whole thing is just getting really stale,' I am not opposed to being the bad guy again.
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The image is one thing and the human being is another...it's very hard to live up to an image.
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The tolls for the maintenance of a high road, cannot with any safety be made the property of private persons.
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I have the utmost respect for the different faiths professed by my fellow men.
