Alexandra Kleeman Quotes
I went into academia thinking that there'd be constant reciprocity between my scholarship and my creative work but found that doing one always turned my mind into the sort of tool that was badly suited to doing the other.

Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I love being the mayor. I want to be the mayor forever.
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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I build community. However, I do it wearing a number of hats.
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Human technology has made it to Mars. We are transmitting gorgeous pictures from it. Yet we have not explored our own planet. Two-thirds of it is covered with oceans that are still mysterious places.
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My dream role is Jack Johnson, the first black heavyweight champion.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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Twenty20 is cricket on speed. In an era of hectic lifestyles and falling attention spans, it gives spectators more drama and intensity in three hours that they would get from a whole-day match. And even though it is a heady cocktail of money, entertainment and media, at its core it is cricket.
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My mum never told me that I was beautiful when I was a kid – and I didn't read magazines or watch MTV, so I had no real consciousness about it all.
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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I love singing and would love to record an album at some point.
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It's hard to sell a brand without having a face to it.
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I love my parents. Coming out to them was sort of coming out to myself. I educated them, and I wanted our relationship to keep growing. I wanted them to be a part of my life still. I wanted to be able to share with them what I was going through.
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I have my life on a track that I want it on, and I don't want to get off.
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I decided to set out to prove that you could make a reasonable living building for the poor using recycled materials and only hiring unskilled labor.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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It puzzled me that other people hadn't found out, too. God was gone. We were younger. We had reached past him. Why couldn't they see it? It still puzzles me.
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I think your whole life shows in your face and you should be proud of that.
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I love Japanese and Thai food, especially seafood, and eat out with my wife two or three times a week.
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It's much more difficult to work on a broad subject than on a specific one, because even if it's hard to find the information, if you look hard enough for something specific you will find it, and you will discover things that you wouldn't have thought of before.
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Instead of thinking that's a nice tune, you start thinking is it the right pace, is it the right tempo? That is the death nell for artists.
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It's an interesting thing to be in your forties and evaluate success and take ownership of some disasters and some pain and try to forgive a little bit - yourself and others.
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I went into academia thinking that there'd be constant reciprocity between my scholarship and my creative work but found that doing one always turned my mind into the sort of tool that was badly suited to doing the other.