Alexandra Ripley Quotes
Quotes to Explore
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I did not direct my life. I didn't design it. I never made decisions. Things always came up and made them for me. That's what life is.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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The high point was that the people are really nice - despite the crazy politics - and I loved being there. The hardest part was knowing some of the things I was probably going to write about Texas would make those nice people very unhappy.
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Clinton's hands remain incredibly clean, don't they, and Tony Blair's smile remains as wide as ever. I view these guises with profound contempt.
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My desire to be an artist really came out of being broke and unemployed and incapable of holding a job down. That's what it was driven by for sure.
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My father had a flourishing business as a publisher in North India.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
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I grew up in a Hindu household but went to a Roman Catholic school. I grew up with a mother who said, 'I'll arrange a marriage for you at 18,' but she also said that we could achieve anything we put our minds to an encourage us to dream of becoming prime minister or president.
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I always wanted pink hair.
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I don't have time to listen to anybody's music. I'm making it, you know.
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I approve of anyone wearing what the establishment says you must not wear.
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We must start to treat climate change as what it is - a threat to United States security. And we must not delay.
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I went to church when I was younger, but it was never something pushed down my throat or anything, which is a good thing. I found out for myself where I belonged.
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Children in their young teens are just moving into the moment when they are most receptive to philosophy and psychology. You can explore these things in stories and, in doing so, give them power and control.
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My parents got me in trouble when I was in school because someone was getting bullied, and I didn't do anything about it. I just watched it happen and then came to the school, and I got cussed out for not helping and not being a part of it.
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In Europe, a writer is supposed to improve up until he's about 75.
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Back when I was growing up, it was like, 'You're too young to know what you want. We're telling you what you want. It doesn't matter if you like it. And you are stupid. Just so you know.'
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A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh.
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Rocket engineering is not like ditch digging. With ditch digging you can get 100 people and dig a ditch, and you will dig it a hundred times as faster if you get 100 people versus one. With rockets, you have to solve the problem of a particular level of difficulty; one person who can solve the problem is worth an infinite number of people who can’t.
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And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
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The transfer is a monumental occasion as the Iraqi people take control of their government and their future and forge ahead with creating a society governed by the tenets of life, liberty and freedom.
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To achieve lasting literature, fictional or factual, a writer needs perceptive vision, absorptive capacity, and creative strength.
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I have but one life to give to adventure.
