Lia Ices Quotes
Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'
Quotes to Explore
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I believed I was invincible.
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If one line about the film excites me, I try to take it forward.
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I've always wanted to play quarterback, and I lucked out to be able to play for my favorite team - America's team. I'm just living the moment. I feel like all of this was supposed to happen. When you work hard, things work your way.
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You don't run from the bad things in life; learn from them, because your worst is what will lead you to your best.
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I'm from New York, so I'm not a big driver.
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When people refer to 'Back in the Day,' it was a Wednesday. Just a little fun fact for you.
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There's always the ongoing actor frustration of finding the great role to do next. I don't go to work a lot. I wait as long as I can until the money runs out or a great part comes along.
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Oh, I don't talk about Jack and me. Some things are too good to share.
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I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
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War is not merely a political act but a real political instrument, a continuation of political intercourse, a carrying out of the same by other means.
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Government is a health hazard. Governments have killed many more people than cigarettes or unbuckled seat belts ever have.
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Ask your editor or ask your agent to find out what the house's goals are for your book before it comes out. Get some sense of expectations so you are prepared.
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I am very excited to be able to work more with young designers and support them.
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I'm 80 years old, and I don't know what I'm going to be when I grow up.
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Success is so bad for everybody, period. Especially a certain kind of success, when people practically give up their identity. They forget who they are, how they are.
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I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.
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You just have to be yourself and make music you feel from your gut, and hopefully, your audience will respond.
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I'm just abnormal. I'm a weird dude.
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'The Babadook,' written and directed by a woman, is a gorgeously told female-focused story of grief, longing, loneliness, and what mourning can become.
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He picked out this sentence in a New Yorker casual of mine: 'After dinner, the men moved into the living room,' and he wanted to know why I, or the editors, had put in the comma. I could explain that one all night. I wrote back that this particular comma was Ross's way of giving the men time to push back their chairs and stand up.
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The cloud of doubt that surrounds political figures tends to remain and never dissipate or be clarified.
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And men go about to wonder at the heights of the mountains, and the mighty waves of the sea, and the wide sweep of rivers, and the circuit of the ocean, and the revolution of the stars, but themselves they consider not.
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It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you are.
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Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'
