Liam Cunningham Quotes
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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I love surfing more than cricket, more interesting and you meet great people.
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I like beautiful clothing. I love Bergdorfs.
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The greatest cunning is to have none at all.
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Mostly, I don't write overtly personal stuff.
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As the platform and protocol become more ingrained in society, get built into products and services, and basically become more of the mesh of society, just like the Internet, companies and people will need to own Bitcoin to play on its rails.
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When I was a kid, I was super shy.
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I really enjoy helping people out, and I enjoy time spent with kids.
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People who attack others need rationalizations for doing so. We undermine those rationalizations.
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When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
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I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
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Horses and horsepower alike are about status and being cool.
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I don't do meetings.
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The man that got me into collecting sneakers in the first place was the man they call Michael Jordan. He was the one who kind of exposed me to the sneaker world - he was my favorite basketball player, and he had the best shoes.
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I have deep emotions about the American people. If I were to cry for anything, I would cry for them and the policies that they're about to face.
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There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
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I had to give myself permission to act, then others agreed.
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What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
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If I am not for myself, who will be for me? If I am not for others, what am I? And if not now, when?
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Not a having and a resting, but a growing and becoming, is the character of perfection as culture conceives it.
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I was going to do a book about the first prearranged Karpov-Kasparov match, '84-'85. But the God-damn Jews have stolen my entire file on that.
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When you're starting out, you basically have all these assumptions about what it means to be an artist or how to be a rock star. It took me years, through trial and error, to figure out what does work for me. So much of it is counter to the myth of the rock-star life.
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I always work on the theory that the audience will believe you best if you believe yourself. This meant that I had to come to understand Moses well enough to believe in my portrayal of him.
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The best thing you can do to an audience is to make them work.
