Henry Rollins Quotes
All by yourself, unable to express the pain of your distress with your deeper inside. You alienate yourself and everybody else.
Quotes to Explore
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Beauty in distress is much the most affecting beauty.
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We secretly believe that if only we achieve some elusive goal - fitting into a pair of skinny jeans, or redoing our kitchen or getting that promotion - that it will make us happy. But the pain of our insecurity is hidden in all that racing around.
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The winter solstice has always been special to me as a barren darkness that gives birth to a verdant future beyond imagination, a time of pain and withdrawal that produces something joyfully inconceivable, like a monarch butterfly masterfully extracting itself from the confines of its cocoon, bursting forth into unexpected glory.
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I have shed many tears of pain and indignation.
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I've certainly experienced physical pain in my life.
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I would say probably my least favorite costume ever was in 'Van Helsing.' That was a huge pain because it had thigh-high boots with 30 buckles on them that had to be done up individually.
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If our hearts are ready for anything, we will spontaneously reach out when others are hurting. Living in an ethical way can attune us to the pain and needs of others, but when our hearts are open and awake, we care instinctively.
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I have this soft spot for have-nots. So, I was really inclined to portray their pain and pathos in 'Highway.'
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When we reach reflexively for something to dull an ache inside of us, in that very moment of reaching, we are hiding from our pain. We're storing it away. Tamping it down.
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The greatest evil is physical pain.
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Pain is something that's common to human life. When we ignore it, we aren't engaging in the whole reality, and the pain begins to fester.
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People play with pain all the time.
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Pain is good, I'd say, when it's incidental to Love. In 'I give up my life for my friend' it is my friend, not my death, that matters. And sometimes I needn't give up my life for him, I can live for him, and with him, and the power of the spirit is then equally manifested, I should think.
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The fact of the religious vision, and its history of persistent expansion, is our one ground for optimism. Apart from it, human life is a flash of occasional enjoyments lighting up a mass of pain and misery, a bagatelle of transient experience.
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The refractory pupil of Socrates, Aristippus the Cyrene, who believed happiness to be the sum of particular pleasures and golden moments and not, as Epicurus, a prolonged intermediary state between ecstasy and pain.
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The very word 'sorrow' colours the fact of sorrow, the pain of it.
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O Death the Healer, scorn thou not, I pray,To come to me: of cureless ills thou artThe one physician. Pain lays not its touchUpon a corpse.
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Going to spring break at Ft. Lauderdale, getting drunk and flashing your breasts isn't an act of personal empowerment. It's you, so fashioned and programmed by the construct of a patriarchal society that you no longer know what's best for yourself. A damsel too dumb to know she is even in distress.
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'The Invitation' is a meditation on grief and loss carried within a suspense drama. At its core, it's about a dinner party gone horribly wrong and about the consequences of denying our pain.
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Mysterious love, uncertain treasure, hast thou more of pain or pleasure! Endless torments dwell about thee: Yet who would live, and live without thee!
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The nature of the game is pain.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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Young people nowadays love luxury; they have bad manners and contempt for authority. They show disrespect for old people... contradict their parents, talk constantly in front of company, gobble their food and tyrannize their teachers.
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All by yourself, unable to express the pain of your distress with your deeper inside. You alienate yourself and everybody else.
