Henry Rollins Quotes
Quotes to Explore
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We believe it is comprehensive international sanctions against the white regime that will save us from the slaughter of hundreds of thousands of South Africans, black and white.
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Film is anti-language.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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Redlining went beyond FHA-backed loans and spread to the entire mortgage industry, which was already rife with racism, excluding black people from most legitimate means of obtaining a mortgage.
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I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
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There are ogres and black beasts out there; you have to be constantly on guard.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I would love to work with Jack White or Kanye West.
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But it is a black man's game, and it will be forever.
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Black Rock gives us all a chance to heal, to become ourselves.
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Even during my youth, I can recall very few black people living on any kind of public assistance. People were working, doing some kind of job that was useful to the community.
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In my wildest imagination, I never thought that the fifth of six children born to Helen and Buddy Watts - in a poor black neighborhood, in the poor rural community of Eufaula, Oklahoma - would someday be called Congressman.
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The enormous lake stretched flat and smooth and white all the way to the edge of the gray sky. Wagon tracks went away across it, so far that you could not see where they went; they ended in nothing at all.
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I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
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When I look back at what I had to go through in black baseball, I can only marvel at the many black players who stuck it out for years in the Jim Crow leagues because they had nowhere else to go.
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Something like 'Rust and Bone' would be a dream. Very pared down. 'Orphan Black' is such a challenge. I just need something that isn't as full-on intense as that.
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There's no job that will humble you like the White House press secretary job.
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I grew up in Haughton, Louisiana. I go to my white grandparents' house, and then I cross the railroad tracks and hang out with my black grandma. We have English teachers on my white side. My grandpa is a principal. And then you go to the other side, and people have been in jail.
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For 'Gender Studies,' I wrote that story in May and June of 2016. People have said to me, 'Oh, it's a political allegory,' and I think, 'Sure.' The political stuff is definitely there. But that's why I like fiction; there can be lots of different things going on, and it's all intertwined, and you can't separate out what's in what category.
Curtis Sittenfeld -
I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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I know the true meaning of getting by by the skin of my teeth; I do. It doesn't matter whether you've got money or you haven't, whether you're famous or not. This is the case for all women, actually; you have to carry on. You always have to carry on. And you can, because you have to.
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We've got to pause and ask ourselves: How much clean air do we need?
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You live a third of your life when you dream. So you may as well live in your dreams the way you want to be living. The way you want to be.
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I like boring black and white films with subtitles. I'm basically a drip.
