Henry Rollins Quotes
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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It's easier to release an ebook than a print book.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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A subject which at first glance seems quite removed from the undeclared concern of the book can encapsulate that concern.
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I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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I hate to badmouth any book or writer, because I know how it feels to be on the other end of that.
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When I'm in London, I love to visit Kensington gardens and just sit in the park and read a good book.
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Charles Darwin wrote a famous book in 18gibberish. And that book was an interesting book, cuz it was called 'Monkey-Monkey-Monkey-Monkey-Monkey-Monkey-You'.
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Whenever I start a book, I swear it's going to be a short one. But then it's, 'Who was his grandfather? And how did he get there in the first place? And what kind of animals is he chasing?'
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I'd rather write one good book than ten mediocre ones.
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As a kid, I was definitely a DC guy. I started reading big time in the '80s at the height of the Wolfman/Perez 'New Teen Titans.' That was definitely the book that hooked me.
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I wanted to be acknowledged as an artist, not just some kiddie-book artist.
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Oh the crap that lies lurking in the English soul. Somewhere it, the English soul, received an injection of romanticism which nearly killed it.
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You said to us once before," said Hermione quietly, "that there was time to turn back if we wanted to. We've had time, haven't we?
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I came from a family of incredible storytellers, but I didn't start writing children's books until I was 41 years old.
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I vividly remember being in my mid- to late-20s. That part of life is very emotional, and exciting, and dramatic in a way that your late 40s are not. That's different and dramatic in other ways, but I wanted to tap into that angry youth vibe in Kill Or Be Killed that I remember feeling at that time, instead of my angry middle-aged vibe that I've been churning out for a few years.
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Books are cool, but knowledge without mileage doesn't mean anything to me.
