Henry Rollins Quotes
The visceral nature of hard rock music, the fact that you can have this sledge hammering sound - and that you can hook a lyric up and a feeling up to something and make the lyric jump into this machine that crushes. That has always been really attractive to me, that kind of power.
Quotes to Explore
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I'd assumed that a deal was a deal when Princeton admitted me, but I was wrong. The price of getting in - to the university itself, and to the great world it promised to open up - was an endless dunning for nebulous services that weren't included in the initial quote.
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To be at ease is better than to be at business. Nothing really belongs to us but time, which even he has who has nothing else.
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I do remember the tour of 'Cats' in Philadelphia. I was 12 and had a stomach bug.
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I found I could speak louder and was more comfortable if I was doing it in someone else's crazy voice.
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I am going to change the world, and I'm talking to everybody in the possible world that I can get to that can help me to do that.
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This town was built on nepotism.
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All things atrocious and shameless flock from all parts to Rome.
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I used to love the feeling of running, of running too far. It made my skin tingle.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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I'm the Jerry Lewis of crime fiction.
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When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
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I liked to play dress-up.
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I'm not Mr. Mom, but there's just certain things I won't say anymore.
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Politics is a good thing!
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For the gay establishment, the death of right and wrong began when gaining civil rights ceased to be enough.
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I am quite looking forward to working with Shah Rukh Khan.
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I never envisioned when I was reading that comic as a 17-year-old that I would have the opportunity to actually play the character.
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And as I reinvent myself and I'm constantly curious about everything, I can't wait to see what's around the corner in newfound art and entertainment and exploration.
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I'll kind of get interested in a subject and I won't know why. It'll be in my head for many years and I'll say, 'Do I know enough here to research?'
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Scary in the idea it could be a little overwhelming to have 70 or 100 clowns in a public space. Intriguing in that it could be something interesting. I'm up for any kind of public art.
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Doubt, of whatever kind, can be ended by action alone.
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It's nice for me to have a ballet as a kind of platform for creativity, because unlike modern dance or contemporary dance or downtown dance, ballet is formalized, and there's something orthodox about it that I like. I like that there's less emphasis on subversion and innovation. I actually think that my musical vernacular or my musical voice is also less inclined toward innovation and subversion. I think I'm a traditionalist.
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The visceral nature of hard rock music, the fact that you can have this sledge hammering sound - and that you can hook a lyric up and a feeling up to something and make the lyric jump into this machine that crushes. That has always been really attractive to me, that kind of power.
