Henry Rollins Quotes
I've got a knife and I want to talk to you I've got a prayer and I want to carve it to you I've got no chance, that's why I'm looking to you O Lord, ride with me
Quotes to Explore
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If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
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There are no soft or slothful ways to become sanctified to the point that we are prepared to live in the presence of the Savior. And there can be blessings in the burdens we bear. As a result of these struggles, our souls are stretched and our spirits are strengthened. Our character becomes more Christlike as we are tried and tested.
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If your work requires you to travel, you will understand that there's no vacation destination like home.
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I don't want or need to gain respect with what I do off the court. I want respect for what I do on the court.
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The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
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Suggesting a married Jesus is one thing, but questioning the Resurrection undermines the very heart of Christian belief.
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My parents are very modern. My father is a cosmopolitan person. He always supported the fact that I will be an actress. There is nothing else I would do rather than being an actor.
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Education - much like law or medicine - should be a profession governed by professionals. Unfortunately, too many policies, even those that are well-intentioned, come from the top, leaving out those closest to the classroom, who have the greatest insight into how to provide a high-quality education for all students.
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There's nothing like taking two flights when you have a horrible hangover. It's bad when people can see actual alcohol seeping out of your disgusting pores.
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Los Angeles can be a really sad city.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.
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I don't believe in writer's block.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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I am actually talking about possibly adapting 'The Boys,' by Garth Ennis, which would not be a comedy, but an action movie with comedy elements to it.
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We are now living in a fast paced technological era where every skill that we teach our children becomes obsolete in the 10 to 15 years due to exponentially growing technological advances.
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The sense of this word among the Greeks affords the noblest definition of it; enthusiasm signifies God in us.
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I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.
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Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.
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Nobody owes anybody a living, but everybody is entitled to a chance.
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I tend to listen to country music more than Cuban music.
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I'm not a supermodel. That's not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what's happening on the outside.
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Prayer is not so much the means whereby God's will is bent to man's desires, as it is that whereby man's will is bent to God's desires.
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I've got a knife and I want to talk to you I've got a prayer and I want to carve it to you I've got no chance, that's why I'm looking to you O Lord, ride with me
