Henry Rollins Quotes
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The visceral nature of hard rock music, the fact that you can have this sledge hammering sound - and that you can hook a lyric up and a feeling up to something and make the lyric jump into this machine that crushes. That has always been really attractive to me, that kind of power.
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I'm disappointed by bands left and right, every day.
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When you're going into an employment environment that looks pretty scary, it is easy to lose your moral compass, your decency, your sense of civility and your sense of community.
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I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
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Now, if someone wants to spit on me, I just roll up the window of my BMW 540i.
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'SMiLE' is perhaps the Beach Boys' most legendary album. It was recorded in 1966 and 1967 but only saw a formal release in 2011. That's a long time to wait for what was said to be Brian Wilson's masterpiece.
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It is amazing to hear grown-up people rationalize homophobia and discrimination. The lengths they go to trying to prove their points take reason to its breaking point.
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It is our destiny to be born beautiful into an ugly age.
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Giving a good performance, giving it all is what it's all about. I love to perform.
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I must tell you that I was always afraid of the fury with which I loved you. It overwhelmed me. I thought it beyond comprehension, therefore my silence.
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I think that humans have a huge capacity to carry pain and sadness. There are things that haunt us our entire lives; we are unable to let them go. The good times seem almost effervescent and dreamlike in comparison with the times that didn't go so well.
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The scarcity of the music not only makes the music itself enjoyable but it also gives the collector a strange sense of superiority.
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I urge you to read the Occupy Manifesto, written by the New York City General Assembly. It is unavoidably clear. This is not directionless action. If it were, the media would have moved on.
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I'm most comfortable on stage.
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All I can do is just do stuff while I am alive and hopefully that track record will speak for itself.
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It is you who makes me see what I really am.
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You can say, "Well, I have a question," and someone will say, "Oh, so you hate America." And it has nothing to do with the discussion at all.
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Hating someone is giving them too much, just leave them alone.
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What I felt for you was a combination of respect and affection. There was a closeness I felt through intimate interaction. The affection part is all over with. All that remains is the respect. If I put my arms around you and told you that I missed you, I would be lying. You're alright with me and I wish you well. But you're not me and that makes you one of them and you can only get so close.
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If a slave were to raise his voice to his master, he risked all manner of punishment. Yet what was possible in many circumstances was to lift one's voice in song. This was a major ingredient in what is now known as blues and gospel. Slaves may have been regarded as subhuman by their cruel captors, but through music, they were proud and dignified.
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For the last 30-plus years, I have been doing one long, uninterrupted improv.
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The prison-industrial complex and the military-industrial complex are here with us and are multi-billion dollar enterprises. We can make more money off the kid in Compton if he's a criminal instead of a scholar. It's business.
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Whenever I write lyrics, in the back of my mind I always see a guy driving to work, driving to a really bad job, one of those horrible institutions, or one of those low squat buildings in Los Angeles. I write with that person in my mind.
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Trying to write music, be in a band and keep it all happening is one of the hardest, morale-destroying, heartbreaking things you will ever try to do - and that's when it's going well.