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I'm most comfortable on stage.
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It is amazing to hear grown-up people rationalize homophobia and discrimination. The lengths they go to trying to prove their points take reason to its breaking point.
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I'm disappointed by bands left and right, every day.
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I must tell you that I was always afraid of the fury with which I loved you. It overwhelmed me. I thought it beyond comprehension, therefore my silence.
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Now, if someone wants to spit on me, I just roll up the window of my BMW 540i.
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The visceral nature of hard rock music, the fact that you can have this sledge hammering sound - and that you can hook a lyric up and a feeling up to something and make the lyric jump into this machine that crushes. That has always been really attractive to me, that kind of power.
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It is our destiny to be born beautiful into an ugly age.
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Giving a good performance, giving it all is what it's all about. I love to perform.
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Canadians are often a friendly bunch.
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I think that humans have a huge capacity to carry pain and sadness. There are things that haunt us our entire lives; we are unable to let them go. The good times seem almost effervescent and dreamlike in comparison with the times that didn't go so well.
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The scarcity of the music not only makes the music itself enjoyable but it also gives the collector a strange sense of superiority.
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I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
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I feel close to people like Jimi Hendrix because I connect with his music. Not the man but what he did.
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Hating someone is giving them too much, just leave them alone.
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I urge you to read the Occupy Manifesto, written by the New York City General Assembly. It is unavoidably clear. This is not directionless action. If it were, the media would have moved on.
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The prison-industrial complex and the military-industrial complex are here with us and are multi-billion dollar enterprises. We can make more money off the kid in Compton if he's a criminal instead of a scholar. It's business.
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You can say, "Well, I have a question," and someone will say, "Oh, so you hate America." And it has nothing to do with the discussion at all.
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Whenever I write lyrics, in the back of my mind I always see a guy driving to work, driving to a really bad job, one of those horrible institutions, or one of those low squat buildings in Los Angeles. I write with that person in my mind.
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For the last 30-plus years, I have been doing one long, uninterrupted improv.
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If a slave were to raise his voice to his master, he risked all manner of punishment. Yet what was possible in many circumstances was to lift one's voice in song. This was a major ingredient in what is now known as blues and gospel. Slaves may have been regarded as subhuman by their cruel captors, but through music, they were proud and dignified.
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What I felt for you was a combination of respect and affection. There was a closeness I felt through intimate interaction. The affection part is all over with. All that remains is the respect. If I put my arms around you and told you that I missed you, I would be lying. You're alright with me and I wish you well. But you're not me and that makes you one of them and you can only get so close.
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I like the idea of going out with a woman and not doing anything, and just eating dinner and talking, and that's cool, too. So, someone might look at me and say, "No way, man. He's just banging strippers." And I do that, but not all the time.
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It is you who makes me see what I really am.
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All I can do is just do stuff while I am alive and hopefully that track record will speak for itself.