Holly Hunter Quotes
In my career, I've never been a box office name. Granted, a couple of my movies have made a lot of money, but I'd do other movies which make very little money, or they're not seen that much.
Quotes to Explore
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I am not a designer that buys vintage to be inspired.
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You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.
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The niqab, for some, has become an antiestablishment symbol around which one can rally and relish in the opportunities for confrontation that it provides.
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To read without reflecting is like eating without digesting.
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I think America has a brilliant future.
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I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world.
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You have to fit in sometimes to make people comfortable to listen to you.
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She wanted us to feel we were above everyone in the town. She really did tell us that we were related to Chief Justice John Marshall, and that may have been true. I never did bother to find out.
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I love listening to pop radio.
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A revolution is a struggle to the death between the future and the past.
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During the season especially, we take a lot of swings, we play a lot of games, we swing a lot in games, batting practice, all that, so to maintain your shoulder the strongest is one of the key points that we focused on in the offseason.
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I just want to be really clear about this: Anyone who has read Colin Powell's biography - there's an entire section where he talks about experiencing segregation. Colin Powell did not appear when he became head of the Joint Chiefs of Staff. That's not how it happened.
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It's never black and white on 'Game of Thrones.' If you think it's black and white, you're watching it wrong.
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The magic of creation has always fascinated me.
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The more the soul knows, the more she loves, and loving much, she tastes much.
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Deterrence is still fundamentally about influencing an actor's decisions. It is about a solid policy foundation. It is about credible capabilities. It is about what the U.S. and our allies as a whole can bring to bear in both a military and a nonmilitary sense.
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A pen is to me as a beak is to a hen.
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The darkness, the loop of negative thoughts on repeat, clamours and interferes with the music I hear in my head.
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It's really sort of morbid, but she said her mother wanted to see me all her life. And when she died, she made just one request: that a picture of me be put into her casket. So somewhere in England, I'm in a casket.
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I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.
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It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.
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I feel like Obama in a way. His idea that hope means not shrinking from a fight; it's the courage to reach for something. My music is that. Those are principles I try to embody.
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I couldn't be with someone who is depressed all the time.
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In my career, I've never been a box office name. Granted, a couple of my movies have made a lot of money, but I'd do other movies which make very little money, or they're not seen that much.
