Alfred North Whitehead Quotes
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The human body is an instrument for the production of art in the life of the human soul.
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...The pursuit of mathematics is a divine madness of the human spirit...
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The theme of Cosmology, which is the basis of all religions, is the story of the dynamic effort of the World passing into everlasting unity, and of the static majesty of God's vision, accomplishing its purpose of completion by absorption of the World's multiplicity of effort.
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It requires a very unusual mind to undertake the analysis of the obvious.
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In the inescapable flux, there is something that abides; in the overwhelming permanence, there is an element that escapes into flux. Permanence can be snatched only out of flux; and the passing moment can find its adequate intensity only by its submission to permanence.
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Every intellectual revolution which has ever stirred humanity into greatness has been a passionate protest against inert ideas. Then, alas, with pathetic ignorance of human psychology, it has proceeded by some educational scheme to bind humanity afresh with inert ideas of its own fashioning.
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That knowledge which adds greatness to character is knowledge so handled as to transform every phase of immediate experience.
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The oneness of the universe, and the oneness of each element of the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self-identity of things and their mutual diversities.
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With the sense of sight, the idea communicates the emotion, whereas, with sound, the emotion communicates the idea, which is more direct and therefore more powerful.
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The greatest invention of the nineteenth century was the invention of the method of invention.
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No period of history has ever been great or ever can be that does not act on some sort of high, idealistic motives, and idealism in our time has been shoved aside, and we are paying the penalty for it.
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Rightness of limitation is essential for growth of reality.Unlimited possibility and abstract creativity can procure nothing. The limitation, and the basis arising from what is already actual, are both of them necessary and interconnected.
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The relevant poems are Milton's Paradise Lost, Pope's Essay on Man, Wordsworth's Excursion, Tennyson's In Memoriam.
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Without doubt, if we are to go back to that ultimate, integral experience, unwarped by the sophistications of theory, that experience whose elucidation is the final aim of philosophy, the flux of things is one ultimate generalization around which we must weave our philosophical system.
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Error is the price we pay for progress.
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By relieving the brain of all unnecessary work, a good notation sets it free to concentrate on more advanced problems, and in effect increases the mental power of the race.
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A philosopher of imposing stature doesn't think in a vacuum. Even his most abstract ideas are, to some extent, conditioned by what is or is not known in the time when he lives.
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Whether or no it be for the general good, life is robbery. It is at this point that with life morals become acute. The robber requires justification.
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The aim of science is to seek the simplest explanations of complex facts. We are apt to fall into the error of thinking that the facts are simple because simplicity is the goal of our quest. The guiding motto in the life of every natural philosopher should be, 'Seek simplicity and distrust it.'
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Intolerance is the besetting sin of moral fervour.
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Art is the imposing of a pattern on experience, and our aesthetic enjoyment in recognition of the pattern.
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Nature gets credit which should in truth be reserved for ourselves: the rose for its scent, the nightingale for its song, and the sun for its radiance. The poets are entirely mistaken. They should address their lyrics to themselves and should turn them into odes of self-congratulation on the excellence of the human mind.
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The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.
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Creativity is the universal of universals characterizing ultimate matter of fact. It is that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively. It lies in the nature of things that the many enter into complex unity.