Liev Schreiber Quotes
That's one of the benefits of working on big budget films. You work with people who have a lot of experience and you get to learn a lot.
Quotes to Explore
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People must be protected from prejudice against their person. But people cannot be protected from prejudice against their ideas - because otherwise we're all done.
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It's because of 'ER' that I've gotten the opportunity to get the work.
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There are so many more women and men who deserve opportunities. People of color. Period.
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One of the biggest mistakes people make is to think that what you need to write a novel is imagination, creativity and a facility with words. Yes, you need all those things, but a novel is a highly complex organism that needs to be dealt with in quite a logical manner.
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People are totally overusing LOL and a wink - and I'm very guilty of using the wink - that's probably my favourite emoticon to use because 'I'm being sarcastic, don't misinterpret; don't misconstrue; I'm just kidding.' Again, for as many benefits as it has, also picking up the phone and having a conversation speaks volumes.
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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We must think and act like a nation of a billion people and not like that of a million people. Dream, dream, dream!
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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I was so worried when I left 'GH:' so scared I'd never work again.
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I'm the oldest 26-year-old I know. A lot of experience has been crammed into a short amount of time. Some days I feel a good 65, 70. Like I want to lie down.
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The only people that have ever fought ISIS in Syria is not the regime; it is the Free Syrian Army.
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Most people don't understand that being in the public eye is emotionally exhausting. It takes a lot out of you.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I hate parameters. They immediately alienate a bunch of people.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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When in doubt, you bring in relatives. Nepotism is a part of my work.
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The fact is that viewers are fickle and it's rare that such a large group of people can be categorized in any type of way. There's enough content to go around, and if we stop focusing on numbers and start focusing on the quality of the project, then I think everybody - viewers and artists alike - is going to be a lot happier.
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Asian players train so hard. Most of the time, on Monday mornings, the only people you see on the range are Asians. I mean, only see Asians.
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I don't want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory.
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You don't choose who you sit next to in a theater. You sit in a theater, and there's an energy that happens.
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I believe in two things: One, Andrew Carnegie said, 'He who dies with wealth dies in shame.' And someone once said, 'He who gives while he lives also knows where it goes.'
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I have women working in high positions. I was one of the first people to put women in charge of big construction jobs. And, you know, I've had a great relationship with women.
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That's one of the benefits of working on big budget films. You work with people who have a lot of experience and you get to learn a lot.
