Ali Smith Quotes
What's the point of art, of any art, if it doesn't let us see with a little bit of objectivity where we are?
Quotes to Explore
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Art should be an oasis: a place or refuge from the hardness of life.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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Besides black art, there is only automation and mechanization.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
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My family always encouraged my drawing ability. Kids in school who teased me about my reading would get out of their seats and stand behind my desk as I worked and go, 'Wow, you can really draw.' Later, I earned a degree in Fine Art and got a Ph.D. in Art History.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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Cultural tourism surveys consistently rate San Francisco's art industry as a core reason for visiting.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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When you make art, you get really invested in it. When art happens by accident and you were just along for the ride? It's way more fun.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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The male muse is an unaccountably rare thing in art. Where does that leave female artists looking for inspiration?
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Thirty-three-years-old, still creating art. It's rage, it's creativity, it's pain, it's hurt, but it's the opportunity to still have my voice get out there through music.
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Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.
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I want to build a course my mum can enjoy.
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I'm a very competitive person.
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Those who in quarrels interpose, must often wipe a bloody nose.
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What's the point of art, of any art, if it doesn't let us see with a little bit of objectivity where we are?
