Linda Cardellini Quotes
You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.

Quotes to Explore
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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In my mind, every single female character I've written is plus-size.
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In the discharge of the duties of this office, there is one rule of action more important than all others. It consists in never doing anything that someone else can do for you.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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2016 is going to be a fight. A fight between conservatism and a Democrat Party that is undermining the very character of our nation.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I played a character in 'Ransom' who was as evil as they come.
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My books are character-driven. They're not driven by the story.
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For me, any book I'm writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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The thing I like about baseball is that it's one-on-one. You stand up there alone, and if you make a mistake, it's your mistake. If you hit a home run, it's your home run.
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The roles that I always get attracted to are roles where the material is based on an actual person.
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A grandma's name is little less in love than is the doting title of a mother.
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Like all weak men he laid an exaggerated stress on not changing one's mind.
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Men err from selfishness; women because they are weak.
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You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.