Linda Sue Park Quotes
I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives.
Quotes to Explore
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I think as an actor you're used to having to travel, so wherever the work, is you're willing to go.
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I still can't believe it when people say I am a celebrity.
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My father insisted that I and my sisters not be indoctrinated into any religion at any age.
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But for my faith in God, I should have been a raving maniac.
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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Writing for children, you do bear a responsibility to not include overt or graphic adult content that they are not ready for and don't need, or to address adult concepts or themes from an oblique angle or a child's limited viewpoint, with appropriate context, without being graphic or distressing.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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The right of every American to first-class citizenship is the most important issue of our time.
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Sometimes people say that coach is a winner, but everyone wants to win. You must know how to behave in victory and in defeat, to look after what is our sport, football.
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My mom was an actress in the local Seattle theater doing experimental plays.
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People think that if you have a huge appetite, then you'll be better at it. But actually, it's how you confront the food that is brought to you. You have to be mentally and psychologically prepared.
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I get mad quick and and go off at the handle quick.
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I hate television. I hate it as much as peanuts. But I can't stop eating peanuts.
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I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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Absence of evidence is not evidence of absence.
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For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.
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I like to think of my books and the movies of my books living in two separate universes. Each is very nice, but only one is correct - the book. But that doesn't mean you can't enjoy the other versions, and I always do.
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Love is cheap. You can buy it anywhere. Lives are cheap. It's money that's dear. You have to work days and sit up nights thinking how to make money.
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I think one of the things about being a good coach is to recognise when you have given all that you can. In fact there should be some sort of unspoken law that says that a coach cannot have anyone for three or four years - if you have not passed on most of the stuff you know in that time, then you are not doing a good job.
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It surely gives you a high to be an international actor with quality work.
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I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives.
