Lindi Ortega Quotes
I like to work with different musicians and producers to change the feels of every release.
Quotes to Explore
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The irony is that Washington was, in reality, very much like Benedict Arnold. The big difference was that Washington was ultimately able to control his emotions, something Arnold never learned to do.
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The mere process of growing old together will make the slightest acquaintance seem a bosom friend.
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My interior is very, very dense - Proustian-looking, sort of Henry James. The walls are covered in pictures, and I transformed the big drawing room into a library lined with books.
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Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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I like walking in Golden Gate Park.
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You only live twice. Once when you are born and once when you look death in the face.
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What we ask of the developed countries is to let the Third World find a third way.
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I'm not politically correct.
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Widely distributed reports have noted in January 1968, Obama was registered as a Muslim at Jakarta's Roman Catholic Franciscus Assisi Primary School under the name Barry Soetoro.
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Give me golf clubs, fresh air and a beautiful partner, and you can keep the clubs and the fresh air.
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In a marathon, if you run too fast, you get exhausted. If you run too slow, you never make it.
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Pakistan is not a rogue state, but it harbours and covertly supports rogue elements. While war is not the answer, hard or coercive diplomacy could be.
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I bought a company in the mid-'90s called Dexter Shoe and paid $400 million for it. And it went to zero. And I gave about $400 million worth of Berkshire stock, which is probably now worth $400 billion. But I've made lots of dumb decisions. That's part of the game.
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We must get to the point in our lives. What is the point? To become a new kind of man or woman, having inner command and outer excellence.
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Most of the time, as a model, I feel like I'm just a doll. They control how I should move.
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We must exchange the philosophy of excuse - what I am is beyond my control for the philosophy of responsibility.
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Well, you know, I - again, even in the context of BP, I wonder about this government's priorities. The federal government's top priority right now should be the cleanup. And BP certainly has done so many things wrong. They need to be held to account.
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I left home at 17 and I've been on the road ever since.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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I knew from experience at the Negro Ensemble Company that it wasn't until there was a place controlled by black artists... that Pulitzer Prize-winning work like 'Ceremonies in Dark Old Men' and 'A Soldier's Play' came to fruition.
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There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
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After great pain, a formal feeling comes. The Nerves sit ceremonious, like tombs.
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I like to work with different musicians and producers to change the feels of every release.
