Lindsay Mendez Quotes
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As I became an adult, I listened to a lot of jazz, to the ladies of jazz, Ella Fitzgerald and Carmen McRae and Nina Simone. I loved that they each covered the same songs and interpreted them totally differently. I thought that was so cool. They could each paint their own picture of that moment.
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There was so much emotional response to 'Dogfight.' You just heard the audience: They were so horrified. They were sobbing. They were joyful at times.
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I have a group of fans who pitched in and named a star after me... So. Cool.
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I have a big persona onstage sometimes, but offstage, I'm super shy. Like, I don't want to perform for people - I'd rather die than sing in a room for someone.
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I loved 'The Wizard of Oz,' and I'm a huge Judy Garland fan, too.
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I've always had a big voice, but I'm very aware of when you need to belt or go all out like that - when it's necessary and plot driven - as opposed to just screaming to scream, which I hate.
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I think, going into a room for an audition, the best thing you can do is represent who you are specifically as an individual and what you can bring to a creative process in a room - as opposed to being worried about 'where you fit' - because that's really their job to decide where you fit. Your job is to just present the best 'you' you can.
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Judy Garland, Doris Day, and Gene Kelly were all big influences growing up from all of the films. I'm also a huge folk music fan - Joni Mitchell, Joan Baez, and Bob Dylan have influenced a lot of how music can inspire change in our world.
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It's nice to be with a male energy as opposed to a female energy. It's very different.
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When you hear you're going to audition for 'Dogfight,' the show about bringing ugly women to parties, you're like, 'Oh, great, thank you.' Then you read lines where people call you fat, and you call yourself fat or ugly, and it can wear on you. But that's also our dream as actors, to play someone else and give someone else a voice.
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I feel like I do my best work under fear of being fired.
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I think I'm the person who keeps friends from hitting 'send.' I've definitely helped people go through emails before sending them. I'm a good proofreader.
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It's been a huge honor to collaborate and create new theatre with new writers and to create theatre that will last after my lifetime. It's been in the most truthful way possible. It's my favorite thing to do.
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'Dogfight' was everything wonderful and terrifying about a show, and I feel it 1,000% gave me the knowledge and the confidence that I could do this. I can step up and be present enough to command scenes with amazing actors.
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My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
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I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
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People learn from their mistakes and move forward.
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Getting an agent is hard, and I also think people rush to get an agent too soon.
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Even though acting is my job, I do this because I love it, and when the love is gone, I'm not going to do it anymore.
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I think people feel completely stunted without an agent, but there's a lot of auditions to be had without one and a lot to be learned before you take an agent on.
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I loved working on 'Dogfight,' but when I first read it and wrapped my head around the story, I was a little horrified.
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I remember getting notified that I won an award, and I gloated up a storm to my mother, and I was so obnoxious about it, but I said to her, 'Momma, I'm going to enjoy every moment of this because tomorrow, something bad is going to happen.'
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'Dogfight' is my favorite thing I've ever worked on. It's such a special piece, and I'm so close to the character of Rose. I loved doing it every night.
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I learned by watching Judy Garland and Barbra Streisand.