Alison Lohman Quotes
She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
Quotes to Explore
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There's a long history of private-company cooperation with the NSA that dates back to at least the 1970s.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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Serbia did not want to recognize our country in a peaceful way, so that is why they wanted to destroy us. All our efforts to find a peaceful solution were impossible. In order to save the people, NATO had to intervene.
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I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
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All the skills of housewifery are the ones I'm using as a producer.
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As a physician, I know many doctors want to utilize new technology, but they find the cost prohibitive.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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Let's means-test benefits - let's means-test Social Security and Medicare and make the rich pay more for these benefits.
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'Miele' is a code name for a girl who has a double life.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
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I still have a lot to do, a lot to improve.
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When you're playing the good guy, you want to find the dirty parts - and when you're playing the bad guy, you want to find the vulnerability.
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Directing 'Fifty Shades of Grey' has been an intense and incredible journey for which I am hugely grateful. I have Universal to thank for that.
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I think that what people imagine they're going through is much worse than what they are going through.
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A great director or leader knows his people, creates a great team, and then makes a great movie that can influence millions more than the readers of his column.
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When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.
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I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines. I'd kill it.
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As an artist, all I need is my paints and brushes - and someone to drag me away when the canvas is done
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I've been in training for stardom.
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I give everyone the benefit of the doubt.
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'I have made my choice, Hori. I will share my life with you for good or evil, until death comes...' With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.
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The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.
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She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
