Alison Lohman Quotes
She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
Quotes to Explore
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There's a long history of private-company cooperation with the NSA that dates back to at least the 1970s.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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Serbia did not want to recognize our country in a peaceful way, so that is why they wanted to destroy us. All our efforts to find a peaceful solution were impossible. In order to save the people, NATO had to intervene.
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I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
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All the skills of housewifery are the ones I'm using as a producer.
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As a physician, I know many doctors want to utilize new technology, but they find the cost prohibitive.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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'Miele' is a code name for a girl who has a double life.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
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I still have a lot to do, a lot to improve.
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When you're playing the good guy, you want to find the dirty parts - and when you're playing the bad guy, you want to find the vulnerability.
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Directing 'Fifty Shades of Grey' has been an intense and incredible journey for which I am hugely grateful. I have Universal to thank for that.
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I think that what people imagine they're going through is much worse than what they are going through.
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A great director or leader knows his people, creates a great team, and then makes a great movie that can influence millions more than the readers of his column.
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When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.
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I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines. I'd kill it.
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I've always wanted to walk the whole of the Chesapeake & Ohio Canal, which winds 184.5 miles from Georgetown to Cumberland, Maryland.
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I try to come in with a focus to stop my man and win the game. I'm always trying to be ready to catch them off their strides by being physical enough without getting fouls.
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I don't understand business minds. I consider myself an artist, and they just really don't mix.
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Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
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On a bigger level, 9/11 was a crystallizing moment for my generation... the bubble popped. We were like, 'Whoa, this is what the real world is like; it's not all fun and games.'
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You show a movie to your friends when you're working on it, but you don't have any real objectivity. You just don't know. So that moment when it's shown for the very first time at Sundance, it's just terrifying. I'm so anxious. And then every screening is different.
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She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
