Alison Lohman Quotes
She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
Quotes to Explore
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There's a long history of private-company cooperation with the NSA that dates back to at least the 1970s.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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Serbia did not want to recognize our country in a peaceful way, so that is why they wanted to destroy us. All our efforts to find a peaceful solution were impossible. In order to save the people, NATO had to intervene.
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I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
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All the skills of housewifery are the ones I'm using as a producer.
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As a physician, I know many doctors want to utilize new technology, but they find the cost prohibitive.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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Let's means-test benefits - let's means-test Social Security and Medicare and make the rich pay more for these benefits.
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'Miele' is a code name for a girl who has a double life.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
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I still have a lot to do, a lot to improve.
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When you're playing the good guy, you want to find the dirty parts - and when you're playing the bad guy, you want to find the vulnerability.
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Directing 'Fifty Shades of Grey' has been an intense and incredible journey for which I am hugely grateful. I have Universal to thank for that.
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I think that what people imagine they're going through is much worse than what they are going through.
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A great director or leader knows his people, creates a great team, and then makes a great movie that can influence millions more than the readers of his column.
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When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.
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I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines. I'd kill it.
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I've always wanted to walk the whole of the Chesapeake & Ohio Canal, which winds 184.5 miles from Georgetown to Cumberland, Maryland.
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I would be lying if I said it wasn't cool to see myself on the cover of 'Vanity Fair,' right? It's, like, what am I doing there? This is bizarre.
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I have a cameo in every movie. In '50/50,' I'm in the back of the bus.
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Immigrants are people who leave one country, one society, and move to another society. But there has to be a recipient society to which the immigrants move.
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It is always the same: women bedeck themselves with jewels and furs, and men with wit and quotations.
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She's so young and so impressionable. There's an innocence and a vulnerability that you almost can't really manufacture. It's like a look in the eye that a young girl has that a 23-year-old doesn't.
