Alison Mosshart Quotes
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I've spent my whole life in airports. I don't come home but every two and a half months, which is pretty crazy.
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If I'm at a party, and there are lots of people running around, you'll most likely find me on the floor, painting... I want to be at the party, but I want to do something. I'm just not very idle at all.
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I love touring. I can't wait. Everything is just normal when you're finally on tour. I think, for me, it's my happiest thing; I love moving around, and I have friends and family all over the place. It's kind of my time. It's almost like home. It's when I get to see everybody.
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Touring can be repetitive at times.
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The crazy colors tend to wash out so quick. Basically, it ensures that you never wash your hair, so it starts to do some cool stuff.
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I used to go to a lot of Pam Hogg shows. The thing about London Fashion Week is that, generally, we're on tour and traveling around, so it's very rare that I actually catch it. I like to go to Burberry because I know a few girls who work there. I kind of follow friends.
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All of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time, and I like it.
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I do always want to be creating something; I can't help it. I don't know why that is, but I'm certainly not gonna knock it now, at the age of 36. It seems to be working.
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Record covers still inspire me in terms of clothes, some bands just look sharp. But I still wear stuff I owned when I was 16.
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If I acted like I did onstage in normal life, everyone would probably hate me.
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I had a bunch of paintings around at my house, and someone said to me, 'Why don't you just put them on Instagram? Why don't you show people these?' And I didn't want to - it was just something else I would have to do. But eventually, I was like, 'What's the harm?' And the response was so insane!
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I love Tokyo, I've been several times. The first trip was just weird; it was a weird time. It was in the '90s, and it was different then.
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You want to put out a record that you feel is exactly as you want it. Nobody wants to tour for two years on a record they don't like.
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I hate sunshine so much. I can only cope with it when it's bitterly, bitterly cold.
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I'm not saying I'll never go solo - never is a long time - but I've always been onstage with someone else. That way, you're in it together, and you can feel, together, when the songs are right.
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I love being on stage more than anything, and I think that's what comes across. I think the most honest representation of any music is to play it right there in front of people. It's a moment - it's all one of a kind, every little part of it. There's no repeat.
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When you're recording in the midst of touring, you get a different sense about you. Things are more rocking, darker, heavier and louder. You're thinking about the audience that you're seeing every night.
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I write music visually.
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Everybody wants you to do this thing that you've always been doing forever. That's what they want: they want Martin Scorsese to make the same film two hundred times rather than trying to be something different.
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I can't talk on the radio at all. When the red light comes on, my hands go up in the air: I think they're trying to get to my face, to shut me up. I don't talk on stage for the same reason.
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Every time I do a project, it always comes with a level of discomfort and not knowing how to do it.
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Lollapalooza, that was one of my worst shows. We just played at, like, 3 in the afternoon; it was like the hottest, most miserable thing. My shoes were melting. I just thought I was going to die. It was the most horrible experience. I lasted, what, four songs? In front of quite a lot of people. That was one of my least favorites.
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I don't own a pair of sweatpants.
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Every day, it's a different country, different time zone. If you asked me where home was, I've never felt like I've had that. My idea of comfort is to leave a place. Two weeks is sort of my max.