Alison Moyet Quotes
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I came from a small town and at school in one class there was me, a member from Depeche Mode and someone who went on to join The Cure. That was all in one class of 30 kids.
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It's really irrelevant, but I wouldn't want to be stick thin. It's better to have bit of fat on your face when you get older.
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Personally I think women look better with a bit of chub on them.
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I had been with the label since I was 21. The label wanted shiny pop but I didn't. I found a little independent and we've got all these great reviews in England and now it has gone gold.
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There are very few record companies who will entertain a middle-aged woman coming to them with original material.
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I love being middle-aged in general. I'm more at peace with myself now. I still have tormented times, but they are few and far between. You don't feel you have to be the centre of your world when you get older. Becoming a mother had been a turning point which stopped me from being the centre of my world.
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I spoke Franglais growing up.
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I have always loved a hard-faced girl. I get that Alison Goldfrapp isn't easy, and I like her belligerence. She's deeply sexy and controlled, like a Strict Machine, and it seems to wind the b'jesus out of the women I know. On the outside, I watch and smile and will her on like a twisted silent maiden aunt in the dark corner.
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When I saw Adele, I thought: 'I'll give it an hour before people say I was her,' just because I was fat. When you watch 'X Factor,' you can bet your bottom dollar, every single fat singer sounds like me as far as the judges are concerned. Can you imagine if they did that with every black artist?
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Instead of thinking that's a nice tune, you start thinking is it the right pace, is it the right tempo? That is the death nell for artists.
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The thing with me is, I'm both untidy and I hate mess. But I'm not untidy in communal spaces, like living rooms. My bedroom is havoc.
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There has always been a feeling with people that they love my singing but not always the choice of material.
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I just think that when you've been singing for 30 years, which I have been, you just want to find different things you can do with your voice. It's a constant journey. It's not like any one album that you make is who you are. It just reflects that particular day.
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My idea of hell is a girlfriend ringing up and saying, 'Let's go shopping and have cocktails.' I'd rather play cards.
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I went through a string of A&R men who all thought I should be doing something different. One thought I should be a dance diva; another thought I should do Rock n' Roll; and one thought I shouldn't even be singing at all!
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There are a lot of people who can now see me as an artist for the first time.
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My big chip is that I never had an education. I wanted my children to get one so they didn't fall into the same trap as me.
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I have lost and put on big batches of weight in my life many, many times. But what concerns me is the idea of being an obese old woman, because I don't like the idea of being physically incapable in someone else's hands.
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It is not about writing those hits again. I am sure I could write them, but it is about the sensibilities.
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I was a single parent, and I was prohibited from working.
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I wasn't good at being affable. You get beyond that and realise the attraction in any human being has more to do with what they give to someone rather than just being face candy.
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Becoming famous is a really shocking thing, especially when you don't have aspirations to it. It got to the point where I would try and avoid making eye contact with anyone. It was freaky, and it just happened overnight. I couldn't handle it.
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One of the things I wanted to do with 'The Turn' was write a production of songs that could be stripped down to one or two instruments if you chose to do it.
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When you make a lot of money for a record company, they don't want you to evolve. Growing older, you naturally do.