Allan Gurganus Quotes
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
Quotes to Explore
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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Most actors can't make any kind of living.
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We care about margins.
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If people hate me they hate me.
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I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
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There's always hunger to create because I believe that's what I do. I believe that's what I'm supposed to be doing.
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I've lived in New York for 40 years. I came right after college.
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I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
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There's more to life than physical and material.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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It's always good to be known. You want to build your brand up, want to build your name.
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I've been training quite hard.
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Awards are not the only markers of success; I don't judge myself just based on them. I believe that each cinema-goer has his own mental trophies.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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We've had some fairly intensive discussions leading up to these meetings between NATO and Russia, preparing for them, and it's going to be a very important six months for NATO.
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My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.
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Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
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Some movies to me are like vampires – they suck all of the energy out of me and I don't like that. I like to give the audience energy if I can.
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I have a personality that tends to be somewhat compulsive, and I do tend to think in a circular way. I dwell on the same things over and over and I try to figure out different ways of looking at the same issue.
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I definitely want my career to continue to branch out. I've had the pleasure of working in different areas of entertainment, from being in the music business as a teenager in a girl group to doing Broadway.
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More cuts were needed to avoid exiting the eurozone.
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I think the aim - and certainly the aim of what I've tried to do since leaving - is not political and certainly not a witch hunt at individuals. It's to try to direct our attention at what I believe is a fundamental fault analysis that we must now examine.
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I would absolutely love to go back to the simplicity of the '80s, where there wasn't texting, social media, iPhones, or smartphones. I love the fact that you would go home and check your messages. I'm not well suited to the world of modern technology.
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I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
