Edwin Way Teale Quotes
How vivid is the suffering of the few when the people are few and how the suffering of nameless millions in two world wars is blurred over by numbers.
Quotes to Explore
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I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted.
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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If your aim is to attack the United States, it is hard to imagine a more difficult way of getting here than by posing as a refugee.
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I love clothes but I have spent so much of my professional life creating an image of one kind or another that it is nice not to care about it in life and let your skin breathe.
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Anyone who thinks it's smart to cut immigration is sentencing Australia to poverty.
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Young people do not watch television; they are on the Internet.
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The good news is when you open up in Vegas, you have a lot of friends, because they all come over to see your opening night.
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I write about wounds, the eternal treasons of life. It's not very funny, but it's sincere. My commitment is to sincerity.
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God takes care of imbeciles, little children and artists.
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When I was in high school, I earned the pimple award and every other gross-out award.
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I said 'It can't go on' and he said 'No, it can't.' Honestly, I don't think I could have mattered less to him by then. But by then, nothing mattered to him.
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When I let go of what I am, I become what I might be.
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I think who you are in school really sticks with you.
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Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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I turn people into human beings by not making them into gods.
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Cricket, the whole thing, playing, watching, being part of the Gaieties, has been a central feature of my life.
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I came back out here from England and I was there for a while and it was beautiful and it is just great to see London going from Spring to Summer and Autumn.
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I like my feet. I have a tattoo on my foot with my last name. They're dancer feet. They're pretty. My toes are proportioned nicely. And they're strong - I can pinch people with my toes.
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Nothing else so destroys the power to stand alone as the habit of leaning upon others. If you lean, you will never be strong or original. Stand alone or bury your ambition to be somebody in the world.
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What the worker needs is to see the plant as if he were a manager. Only thus can he see his part, from his part he can reach the whole. This 'seeing' is not a matter of information, training courses, conducted plant tours, or similar devices. What is needed is the actual experience of the whole in and through the individual's work.
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I remember when the family album came out, people would just knock on our door because they thought they knew us, and that, of course, is one of the great hazards.
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For each episode the five of us are all wearing clothes by the same designer. It's a different designer for each episode, but for each one we're all wearing their clothes.
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Even as a kid in the Bronx, I wanted an adventurous life.
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How vivid is the suffering of the few when the people are few and how the suffering of nameless millions in two world wars is blurred over by numbers.
