Lynn Good Quotes
When I was growing up, we had a widow living next door to us. So the habit was that if we went to the grocery store, we called her first. If we cut our yard, we cut her yard, no questions asked.
Quotes to Explore
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When I walk into a Best Buy, I now see, right from the front door, a giant Apple logo. I see a giant Samsung logo. I see a giant Microsoft Windows logo. And those are stores within a store.
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I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.
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I started as a teenager going up on commercials.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I grew up in the hood, and I was raised to hate cops. But then, I started to realize that they're people, and they have lives, too.
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If you tell me I can't eat something, I'll obsess over it and end up overeating!
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Sometimes the kids come up with better endings than the real story.
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But the soul of touring and the heart of it is basically every day is like putting up a circus tent.
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Every time a football player goes to ply his trade, he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play.
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I live my life by these little church signs you see as you drive around, and there's one near me that says, 'If we really knew each other, we would neither idolise nor condemn.' And that's it: if we all knew each other, then we wouldn't treat anybody any different. And there wouldn't be any big stars, I guess.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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I wish the press were paying more attention to the erosion of the Constitution and the slippery slope that we're getting into, by giving up the right of the Congress to talk about when and how and where we go to war.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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A lot of technologies in the world were unusual in the beginning, and became standard. That's the beauty of bottom-up entrepreneurship and innovations.
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It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
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I always want to go back and do stand-up; I like the freedom.
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I've written extensively on Queen Victoria and Queen Elizabeth and seen up close how those women, who were born when the country hoped for a male heir, made their way as leaders.
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You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.
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The snake stood up for evil in the Garden.
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I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
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There is not enough celebration of companionship. Relationships aren't just about eroticism and sexuality.
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I love Fall Fashion Week because it means lots of layering, long sweaters and vintage coats.
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When I was growing up, we had a widow living next door to us. So the habit was that if we went to the grocery store, we called her first. If we cut our yard, we cut her yard, no questions asked.
