Lynn Shelton Quotes
I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need the spine of the text to work off of, and there's no shame in that; they're actors, not writers.
Quotes to Explore
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People should focus on my foundation, my projects, and everything positive and important that I am doing in Latin America and the around the world.
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Sofia Coppola is wonderful, and I'd love to work with her.
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I'm really excited about the prospect of deepening what is already a really strong relationship that I have with the people of Broward.
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I've worked with very few that I considered unpleasant. Dennis the Menace was a joy to work on.
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Our dream as actors is to tell interesting stories about interesting people.
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Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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What these guys are doing is great for Argentinean tennis. This is motivating other people.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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Every weekend, I'm on the highway to Antwerp. I need to be there, to have the calm. It's a whole different life: I jump on my bike, and it's so small, I can be anywhere in a minute. I like to be at home when there's free time because when you're at a big company, you're constantly surrounded by 30 people.
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I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.
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In some ways, Trump's large, national coalition defies easy characterization. He draws from a broad base of good people: kind folks who open their homes and hearts to people of all colors and creeds, married couples with happy homes and families who live nearby, public servants who put their lives on the line to fight fires in their communities.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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It's a big, big advantage because understanding what changes we might make takes time and it takes time to work out settings and to understand everything about the new machine.
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People don't want to give up their SUVs. They don't want to turn the thermostat down in the winter and up in the summer.
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If people watch 'Broad City' very closely, we just drop lines about people we love, just to say we like them.
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I've always been one for show business. I like performing, and I used to get criticized for having production value. But now it's all that! People need to get what they pay for! Otherwise, just listen to recorded music.
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I never wanted to be famous. It was amusing at first, but now I hate it. I just wanted to be respected by people I respect. And I wanted to be rich. It's best to get rich, then you can do what you want.
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Don't let other people decide who you are.
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History will record not only the transformational changes President Obama brought about, but also that in 2008, he was elected president with 69 million votes - the largest popular vote for any one person in the history of this country, based on a campaign of hope and inspiration.
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What I have always wanted for myself is much more primitive. It is probably nothing more than the affection of the people with whom I am in contact, and their good opinion of me.
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I wanted to be successful. I definitely didn't want to be poor.
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Competition is good and has served us well.
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I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need the spine of the text to work off of, and there's no shame in that; they're actors, not writers.
