Lynsey Addario Quotes
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For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know.
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I just immediately connect everything to the wars I have been covering overseas, and that's not the case back home. I wrongly assumed all Americans at home were as consumed with our troops in Afghanistan as I was abroad.
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To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image.
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I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.
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I come from a big family of hairdressers; they didn't read newspapers. I would say, 'I'm off to Afghanistan...' and they would say, 'Have fun!'
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Family is such a fundamental part of Islam, and women run the family. I had to force myself not to impose my own definition of political and social freedom on women in Islam, and approach each story objectively.
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I knew that my interest lied in international stories. I was interested in how women were living under the Taliban, for example.
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Every story takes its toll on me and leaves an impression on me.
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Where in the world would I rather be than on the front line of history?
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I wanted the ideal personal life, but I also wanted to keep rushing off, and that doesn't work, not unless you've got an incredibly understanding partner.
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To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives, so that I am essentially telling an entire story and not just a single one.
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The Taliban rose to power in 1996, vowing stability and an end to the violence raging across the country between warring mujahedeen factions, and to implement rule by Sharia law, or strict Islamic rule.
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I think, for me, personally, I try to be sensitive to issues as I learn about them. And I also try to constantly become not only a certain type of person but also become more in tune to the issues I'm covering. As I get older, I think that things just affect me more.
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Photography of any living being, according to Taliban rule, was illegal. So when I went to Afghanistan, immediately I was worried about photographing people. But it was what I wanted: to show what life was like under the Taliban, specifically for women.
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I didn't know a single female photographer who covered conflict who even had a boyfriend, much less a husband or a baby.
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I think there were times when I first started out, when I was covering Iraq - I was basically living there in 2003 and 2004 - that car bombs and attacks became so the norm that it was weird for me to leave and realize that no one else actually cared about what was going on there.
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Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?'
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By the time the United States went to war with Afghanistan in the fall of 2001, I had made three trips to the country. I covered the fall of the Taliban in Kandahar and have been returning routinely for the past 14 years.
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I've worked for over 11 years in the Muslim world, and the one thing that I feel like I've learned - who's to say if it's true or not true, it's just my experience - is that men don't like to see really strong, aggressive women in that area of the world.
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I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive.
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My job is to take the pictures, communicate a message, to bring those images to the greater public through whatever publication I'm working for. My job is really to be a messenger, and that's what I've been doing.
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As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
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I had first visited Kurdistan in 2003 before the invasion of Iraq, camping out in Erbil and Sulaimaniya while waiting for Saddam Hussein's fall.
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My life isn't always at risk, even if I'm in a war zone. A lot of these places have areas of calm, so covering war doesn't necessarily mean being shot at all the time.