Allison Schroeder Quotes
When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
Quotes to Explore
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I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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I don't miss being on the road right now because the thing is, I was on the road for eight years, so I love pizza, but pizza every day for eight years is a different thing.
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If I get asked to talk to a group of CEOs or a group of high school students, I pick high school students.
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We'd be doing parkour on my high school roof; we'd get in trouble. But I was never a reckless kid.
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When I was growing up, we were taught in school that North Koreans, and especially the North Korean leadership, were all devils.
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I'm 18, I'm going to graduate high school in a few months.
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I think all girls secretly want to be actresses because acting seems so glamorous. But as a child, I was always the villager who had one line in the school play. I was shy and I had a bit of a lisp.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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In my view, the adults are the burnt generation of Iraq for whom nothing can be done. But for the children, we can worry now, we can talk about them, we can plan for them, we can get our protest heard by others.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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I've done a lot of things that I regret.
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If you attempt certain things at the right time, they are easy to accomplish - in fact, they almost get done by themselves. If you undertake them before the time is right, not only will they fail, but they will often become impossible to accomplish even when the time would have been right.
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High School Musical has been a blessing and a gift.
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I've done so many commencement speeches at colleges and law schools, and I tell young women that there are no glass ceilings because those were broken by a lot of women who came before us. You can be anyone you want to be. You can do anything you want to do.
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When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
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I've never done a box set, and Eddie's full of it if he says otherwise.
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I've always done whatever I want and always been exactly who I am.
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I was born in Mumbai, but I grew up in England, and then my adulthood has been in the States. I'm an American stuffed with an English person with an Indian person inside. I feel like those things kind of inform me in some way, which I think helps me as an actor.
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The Asian brand, which I admire for having become a global success, is Samsung. In comparison, we're just starting, but I believe that we at Uniqlo will be the next Asian brand to do well globally.
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The natural response of the old-timers is to build a strong moral wall against the outside. This is where the world starts to be painted in black and white, saints inside, and sinners outside the wall.
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When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
