Allison Tolman Quotes
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'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.
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Someone asked me about how it feels to wear the same costume every day and whether it gets tired or boring, but the good thing about it is that you know what to expect, every day.
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I really respect the Coen brothers as directors and as creative individuals and with the way that they handle the industry and the business side of things.
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I don't know what my next dream role gig is, but I have so, so many shows that I'm like, 'Oh my God, can I guest star on 'New Girl?' Like, that would be amazing!'
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What is right is not always popular.
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The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
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I've always had a day job and never been just acting.
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I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
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I grill, like, every day.
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I did a lot of commercial and theater work when I got out of school and was living in Dallas, and I moved to Chicago to go through the Second City Conservatory Program.
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I never really acted full-time. I certainly had gotten past the point where fame and fortune was something that I was dreaming about or anticipating.
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I read the 'Fargo' hashtag and what people tweeted at me and every article and every comment on every article. I really just ate it up. But I wasn't prepared for hearing what everybody thought of me.
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I've met a lot of really friendly people who are incredibly happy for me, which is really flattering and humbling.
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I guess my interest in performance has evolved and changed many times over the years.
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I've been working as an actress and sort of struggling along for ten years, so I've been on a million auditions for a million things I haven't booked.
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I don't have any phobias per se, but both tight and vast spaces tend to make me nervous after a prolonged time.
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I was working, like, 14-hour days on 'Fargo,' and now if I schedule more than two things in a day, I'm like, 'Whoa, you guys. That's two train rides, and I have to plan for an hour-and-a-half lunch with my cat.'
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I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
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I originally wanted to stay in Chicago as long as I could. I love Chicago. I don't love L.A. I don't want to leave Chicago.
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I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me.
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I don't think you realize how often on television people are not like anyone we know or have known.
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I don't think I have ever worn more outfits over the course of four days than I did Emmy weekend. You barely sleep. You don't eat.
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I worked for three years in a small IT firm in Chicago. I managed our client base, so I translated into human speak for our technicians. But our company was sold, and the atmosphere and the culture really changed, so I quit without having anything else lined up.
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Most of the time you spend filming a show is time you spend without the cameras on, when you're not acting.