Allison Tolman Quotes
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I worked for three years in a small IT firm in Chicago. I managed our client base, so I translated into human speak for our technicians. But our company was sold, and the atmosphere and the culture really changed, so I quit without having anything else lined up.
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I'm aware me getting a role out of Chicago as a complete unknown is an insane anomaly, so I knew I'd have to get out here to L.A. as soon as the door opened.
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At Clements, I was an officer in Thespian Troupe No. 3689.
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Improv training allows you to get out of your head a little bit and take more risks, which is something I would like to continue to improve upon.
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I tend to play nurses and waitresses and policewomen.
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I'm hoping I can evade a type and go for roles based on what I consider plausible and what I consider good.
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If you only live in the world of the actor, and if you only live in the world of auditions, etc., then you don't really have a whole lot to offer when it comes to playing the humans that you're trying to audition for.
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As a newcomer, you know, you don't come out the gate as a singer and try to compare with Judy Garland.
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Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
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As a comedian who's used to, like, punching the jokes, it's hard to teach yourself that that's not the strong choice in the sense that you have to really have to dial it back.
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I worked in IT, which is all boys, and I was the queen of the boys. That's what I did. I was the one who knew where the paper towels were, which was very important. And I organized happy hours and things like that.
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I've done some version of that Minnesota accent - that Midwestern accent - in sketch comedy for years. It's the quickest way to symbolize you're a mom.
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I haven't been recognized out in public or anything. The strangeness of celebrity has been relegated to Twitter, which is kind of manageable.
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I worked in IT for about three years for a tiny firm with ten other people.
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In theater, we know a scheduled season months in advance.
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I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'
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I saw 'Fargo,' not when it came out, but probably a few years later, and went through multiple viewings - I'm sure my tape has been worn out.
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I taped my original audition for 'Fargo' with my agency in Chicago, Stewart Talent.
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There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.