Allison Williams Quotes
Quotes to Explore
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I am a hopeless romantic and I love to spoil my girlfriends.
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Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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I sail, run dogs, ride horses, play professional poker and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.
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You know how you can be romantic? You can be romantic by going to a beautiful setting, sitting on a park bench, and getting good ole-fashioned golden arches, a.k.a. McDonald's. That's probably the best I can do romantically.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I'm not a big fan of romantic comedies, believe it or not.
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Rap culture is interesting and different and has purpose but it has a non-romantic view of life and of social feelings. There may be a void in that.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I like romantic comedy as a genre, but I think it can get stuck in its ways.
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I have tender, romantic associations with upstate New York.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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All that we see or seem is but a dream within a dream.
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I'm a hopeless romantic. I buy things because I fall in love with them. I never buy anything just because it's valuable.
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I'm just living in the moment, trying to win every game. That's all I'm focused on.
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I went to Cuba maybe eight or nine times.
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If you can't bear to have your face stepped on, don't try to climb the ladder of success.
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I'd like to be able to be like a director, like Richard Brooks, say. And be able to say, 'I did my best, and this is it, and there's nobody to blame but me.'
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I want to play a villain. I want to play a romantic heroine.
