Allison Williams Quotes
With 'Girls,' Marnie was a slow burn; she shifted over time. With 'Get Out,' I was suddenly faced with the pressure that, like, I need an audience to know Rose deeply within 15 minutes, within a couple scenes. And that's not something I've ever done before.
Quotes to Explore
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I voted for Barack Obama.
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Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
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Often, a serial killer has no felony record.
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I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
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To be on the set with the actors, with the location, every day changes; every day something can go wrong.
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Year 2008 wiped out $19.2 trillion in US income... What if the money was spent on the Midwest of the United States?
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I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
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For me, I am left leaning when it comes to health and education, on the right when it comes to defense. So I don't know where I come on the political spectrum. And I think this the challenge that a lot of Jordanians have to deal with.
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You can almost taste the pressure now.
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Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?
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I don't talk about political matters. That's not my department.
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I'm not more or less conscious than any other rapper out there.
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I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
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Music Box has proven itself in a few short years to be a cutting edge distributor with a sophisticated understanding of both the market and cinema.
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I think a lot more people are starting to understand the power of YouTube.
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I developed a deep sadness for celebrities, a pity that they often are caught in a plastic world that runs too hard and too fast, and that many times that world means destroyed relationships with everyone they know and love.
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I'm not good at accepting help.
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My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.
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Everybody kept saying, 'I just don't know how to sell you.' I'm odd. I don't think you can put a finger on me.
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It is not scientifically possible to accurately predict the outcome of an action. To suggest otherwise runs contrary to historical experience and the nature of war.
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To me, that's the important issue about spiritual principle: that you recognize it as both that which saves you from the self-sabotaging mind and that which heals you and lifts you up when you succumb to it and attract whatever personal disaster you attract.
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We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
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If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
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With 'Girls,' Marnie was a slow burn; she shifted over time. With 'Get Out,' I was suddenly faced with the pressure that, like, I need an audience to know Rose deeply within 15 minutes, within a couple scenes. And that's not something I've ever done before.
