Lindsey Stirling Quotes
Violinists' hands aren't the prettiest because of our nails and what our hands have to go through.
Quotes to Explore
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I always said when I was younger, I wanted to write film music, and I think that's what my ultimate dream is.
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We are not the same India that the world saw in the 1970s and '80s. Hence, we have a responsibility to live up to the pedestal on which we have been put.
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The question for France and all countries is, 'Do you favour foreign Internet operators that do not pay, or do you favour national operators who pay?'
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Instead of isolating our school and our many subjects from the every day world, we intend to plant it not merely in the French capital, but in what for next summer at least will be the focal point, the capital of the entire civilized world.
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He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
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My parents have always been very open.
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I want to have all that scientific information that we're building be used in designing the future so that people who make geographic decisions - and here it's not just land-use planners, but it's everyone: foresters, transportation engineers, people who buy a house - can analyze all of these information layers and design a future.
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I love to have fun and goof around and be silly, so anybody who can also do that is good for me.
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I was always a writer – working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV – that was always my goal.
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I love getting people's opinion of what I'm doing.
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I usually don't say anything to the actors. It works better for me because when they come to the set, they are at the same time scared and excited because they are not well aware of what will happen.
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Winning our fans' approval will come from all of us doing the right things for the right reasons, me included.
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Directing Marilyn Monroe was like directing Lassie. You needed fourteen takes to get each one of them right.
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It's a clique that I've never been a part of. It's not like I identify them in a negative way.
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I call for greater measures to involve more women at higher levels in mine action. Governments should do more to address gender in their mine action programmes and through their implementation of the Anti-personnel Mine Ban Convention.
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Fundamental preparation is always effective. Work on those parts of your game that are fundamentally weak.
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When you're the most successful person in your family, in your neighborhood, and in your town, everybody thinks you're the First National Bank, and you have to figure out for yourself where those boundaries are.
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My nervous system is a shattered wreck, and I am absolutely bored and listless save when I come upon something which peculiarly interests me.
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My closest friend, who died not long ago, is buried near Marx's grave in Highgate cemetery, so I see the gaggle of admirers laying roses at the foot of his tombstone regularly. I have never been tempted to leave flowers there myself. Great theories, shame about the practice. Marx did many things. But inventing class was not one of them.
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I don't think you can be taught how to make art. You can be coached, but on a fundamental level you have to figure it out for yourself. You have to learn how your own mind works, figure out your own relationship to the art; you essentially have to invent it completely for yourself.
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If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.
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By striving to do the impossible, man has always achieved what is possible. Those who have cautiously done no more than they believed possible have never taken a single step forward.
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It isn't a calamity to die with dreams unfulfilled, but it is a calamity not to dream.
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Violinists' hands aren't the prettiest because of our nails and what our hands have to go through.
