Lindsey Vonn Quotes
Quotes to Explore
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I like Dolce & Gabbana's fragrance Light Blue - it's my everyday perfume.
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TV is like a school. It is easy to shoot for a film. In movies, you have a definite start and end. You know your character is there for a particular period.
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Character, I am sure, lies in the genes.
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It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.
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My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
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My job as a leader is to make sure everybody in the company has great opportunities, and that they feel they're having a meaningful impact and are contributing to the good of society. As a world, we're doing a better job of that. My goal is for Google to lead, not follow that.
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I am pretty tough as a boss.
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If you only write when the muse strikes, you won't get anything done. You have to write consistently, when your schedule says you should. And that's hard.
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Everything we did was criticized. For about thirty years we lived with the world against us, accusing us of things we didn't do!
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We have these old fashioned ideas. For instance, here in America, we talk about democracy - but we don't have a democracy. There are elements of a democracy.
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I'm not afraid of heights. I rock climb. I can repel off the side of a building.
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The year hasn't started yet and it's already been the best I've ever had.
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My knock with filmmaking is the whole bureaucracy around it, so in some ways, staying outside of it is easier for me.
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Memory is a way of telling you what's important to you.
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The bottom line: health care reform is about the patient, not about the physician.
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Nobody wants to retire from football.
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Anthropomorphic animals, when taken out of narrative into actual visibility, always turn into buffoonery or nightmare.
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I was kind of an unhappy kid. I always felt like a cynical New Yorker trapped in a little kid's body. I started to get some pretty bad anxiety disorders around puberty, which totally did not work with growing up a mile away from the beach. I started cutting my own hair.
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What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.
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I don't think of literary novels as self-help documents, although literature undoubtedly saved my life when I was young, enabling me to disappear into all manner of stories, to recognise feelings that I felt alone in.
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When I was at drama school, I was totally broke, and a lot of my mates had jobs and were financially very good to me, so if, for example, I take them away on a trip to a football match in Europe, it means that I can pay them back a bit.
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I loved working with Stephen Frears. He's a really fantastic director. He knows what he wants and how to get it.
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I want to ski as long as I can.
