Lisa Cholodenko Quotes
I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.

Quotes to Explore
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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We overvalue the arts in relation to the sciences.
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Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.
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I'm afraid to fail again.
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It's a compulsion. I'm always changing parts of me. Even when I was young, I wanted to change my hair color. I was so determined that I dyed my hair with Kool-Aid.
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We need leaders who will stand unapologetically in defense of marriage.
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I remember everything from 1976. I remember I was 14, and I remember my routines.
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Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.
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If you feel that you are good, don't be too proud of it.
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It's such a weird self-confidence that an artist has - to conceive of this thing that serves no function and say, 'I'm going to really work hard for it and give it and it's just going to matter to people.' You really have to believe it all on your own.
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I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
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Tennis is all about mental toughness, and you have to keep your head in the game. I make time to relax away from competition pressures, travel and intense training schedules to make sure I'm looking after myself. Taking time out with family and friends helps to maintain the work-life balance everyone needs.
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I think she has more gospel style than I do. I think I'm more, umm, you know mainstream I guess. I don't know if we split the vote. That could be possible but I don't think we are the same at all.
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I have managed to infuriate the bank bosses; acquire a fatwa from the revolutionary guards of the trades union movement; frighten the 'Daily Telegraph' with a progressive graduate payment; and upset very rich people who are trying to dodge British taxes. I must be doing something right.
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I had an amazing childhood.
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I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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I'm not the girl next door.
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Since an early age I was taught to be very politically aware and knew from childhood that the process was something I wanted to contribute towards if I could.
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I've never given a damn. A seven-foot man who dresses as a woman as a job is not interested in what other people think.
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I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.
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I love a bit of drama. That's a bad thing. I can flip really quickly.
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I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
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I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.