Maz Jobrani Quotes
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When you're a stand-up comic, you live and die by what you say on stage. There's no director or writer or producer who can tell you what to say and not to say. Once in a while, a club owner will ask a comic to work clean, or not say something, but that's few and far between.
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The way we censor in America is the dollar. That's who censors.
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I have to say that deporting people and calling them 'bad hombres,' then kicking families out with visa violations, upsets me.
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I think it's funny that nobody wants to be liked by Washington. All the politicians go, 'I don't like Washington. They don't like me.' I always find it funny that people are trying to distance themselves from Washington as much as they can, even though they're all in Washington.
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I've had people come up to me after the show and say, 'Why did you not make fun of Pakistan?' People are actually upset you didn't talk about them.
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Any standup that you see who you go, 'Oh, wow, that guy's, you know, that guy's making it.' Inevitably, they've been doing it 10, 12 years - 10, 15 years. Because it takes time.
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As a Middle Eastern male, I know there's certain things I'm not supposed to say on an airplane in the U.S., right? I'm not supposed to be walking down the aisle, and be like, 'Hi, Jack.' That's not cool. Even if I'm there with my friend named Jack, I say, 'Greetings, Jack. Salutations, Jack.' Never 'Hi, Jack.'
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A cultural thing that is funny to me is that every time I go out in D.C. after a show, all the nightclubs and restaurants are owned by Iranians and Afghans. It's funny to me how we lost our countries but we gained the nightlife.
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You know, funny can be universal.
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When you have demonization of a group of people, it's easy to clump them all together and not understand them.
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Comedy can take you a lot further in getting your point across. People are entertained, and then, by being entertained, they get your point.
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I started acting in junior high. I was in 'Guys and Dolls.' I was Stanley Kowalski. In my head, before coming to Hollywood, I thought, 'I can play anything.'
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Don't get me wrong. I don't mind playing bad guys. I want to play a bad guy. I want to rob a bank. I want to rob a bank in a film. I want to rob a bank in a film but do it with a gun - with a gun, not with a bomb strapped around me.
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I've grown so accustomed to my life in L.A., going to a Coffee Bean or getting breakfast at Kings Road Cafe. I've seen a lot of the world, but the diversity we have here is different. It's a mishmash, which is a nice comfort.
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I'm not saying that I'm on some crusade to change people's minds. I'm just doing what I do. I'm a comedian, I'm trying to be funny... I think when they see a comedy show with an Iranian and an Egyptian and two Palestinians, I think they go, 'Oh wow, these guys are just like us.'
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Humor is always important. There are people who help us deal with difficulty or hardship; from the concentration camps to the court jester, there was a need for humor. As long as these kinds of things exist, with repressive regimes, you need it to deal with the weight of daily life.
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The number one thing I've heard Trump supporters say - number one thing - 'I love him because he says what's on his mind. He just says what's on his mind.' He just says what's on his mind. You go, 'What are your thoughts on his policies?' 'I don't know about his policies. He just says what's on his mind.'
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I quickly came to realize that in the Middle East, God is God, and in the West, the sponsor is God - or, as I like to say, Tide detergent is God.
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I don't consider myself an Iranian comedian; I consider myself a comedian who happens to be of Iranian descent.
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As a Middle Eastern male, when you're in a Chuck Norris movie of the week, you know you're going to die.
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I grew up in Northern California - Marin County, Tiburon. And it's interesting. It's a very rich place, but a lot of the affluent people are - they're not as showy. So, like, they might have, like, a Saab or a Volvo. And then here comes my dad from Iran. He buys a Rolls-Royce.
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My parents come from that immigrant culture that places a lot of emphasis on doing well scholastically. Being a comedian or an actor is such an American thing. The Iranian culture is not about dreaming. It's about taking over your father's business, falling into line.
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Once you start listening to the comics, be they Jewish, Muslim, Italian, Filipino or whatever, the material often springs from the same source - the overbearing mom, the parents who want you to marry from within your community. That's why the 'Ethnic Show' works so well.
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My mother was very wary at first. And now she's come around 180 degrees. She's, like, one of my biggest fans now. Like, she'll come over to my house, and she'll be like, 'OK, listen. I need two T-shirts from the comedy show, and give me three DVDs. The neighbors are asking for them.'