Lisa Edelstein Quotes
Well, I don't think characters change. I think they become more revealed. I don't think you really can change a character on a show.
Quotes to Explore
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I don't think it's necessary to shout if you have a good story. But I also don't think you should shy away from being bold in the statement that you're making.
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Profit in business comes from repeat customers, customers that boast about your project or service, and that bring friends with them.
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I believe journalism or news will migrate to the online medium.
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It used to hurt me that people thought I didn't have the technique and the temperament to play Test cricket.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I'm interested in morality and mortality, and 'Deadpool' kind of has all of these themes.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Governments are not running the show anymore. Scumbag Entrepreneurs are, and they have a harsh and ruthless agenda.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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My husband and I have season tickets to the Giants games, and we go there as fans to enjoy it.
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If we just allowed women and men more leeway in our culture and more acceptance, I think they would be able to make better compromises.
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I'm the Chris Martin of hip-hop.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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Do you know what a showmance is? It is like being at a summer camp when you're a teenager. You spend summertime away from your home. When you spend three months very closely with someone at a particular place, it is like a summer love. You have no choice but to get involved with that person.
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I sold Blockbuster because I saw what was coming: the satellite dish, technology that would make the business obsolete in a few years. Why would people go to a store for a video and then have to return it when they had a dish?
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My music confuses people because they think I will sound a certain way because I look a certain way with the dreads.
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I love music.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I take my Bible with me, sometimes two of them, when I travel.
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I and other like-minded members will not vote for the final package when it comes back if it has drilling in the Arctic there.
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Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
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Every July, I look forward to taping a Christmas show - in July in Nashville. In 98-degree weather. I love it.
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Homosexuality is like an inside baseball thing. It's like a gag that people share; 'How is your husband?' But when it comes to bringing diversity to a broader audience, suddenly it's a different road. It's what we call 'a risk.' Isn't it our responsibility to elevate the standards and change people's perceptions?
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Well, I don't think characters change. I think they become more revealed. I don't think you really can change a character on a show.
