Varun Dhawan Quotes
For me, the driving force is the audience, and the day that stops, I will stop doing films. The day a part of me stops feeling like putting a smile on someone else's face or if I feel like I don't want to entertain anymore, then I will pack up and leave.
Quotes to Explore
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I like being from a city that is not entrenched in show business. When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe.
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I love Rag & Bone, Dior, and Valentino; I like feminine, sexy things. Dolce & Gabbana and Chanel, too.
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You take the best of our tradition as a start, and I'll take the best of Christianity ... From there we can build.
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The second I met Zac, I thought he was a really cool guy. It's hard not to have chemistry with someone who is so attractive.
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My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.
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I don't get bothered by fans.
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I had never used the prefix 'Dr.' with my name, but when I started with NASA, I had to. Otherwise, I could not get past the secretaries.
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When you can throw 97 miles an hour and put the ball over the plate anytime you want, it's fun.
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The last thing I would ever do is try to become a network programmer.
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Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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I never feel there's anything I can't do.
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By no means do I want to try to leave country music. That's absolutely where I want to stay.
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If I only had a little humility, I'd be perfect.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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Most people learn to improvise on their own, listening to records, endless hours of noodling on their instrument in the bedroom with all their spare time. That's traditionally how people learn.
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Those darker sides, the things that we don't want to admit about ourselves - that's what excites me.
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The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks.
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When I was born, some of our relatives came to our house and told my mother, 'Don't worry, next time you will have a son.'
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The joke around my office is that I've shaken many hands, but I've petted more dogs.
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DMX was just one of the figures that I thought no one could ever be better than. I used to look up to him so much. The bikes, the dogs, that's where I come from.
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I was 17 when I auditioned for 'Miss Saigon.' I really grew up doing that show. I pretty much knew, almost a year into 'Miss Saigon,' that I was going to be a performer, that I was going to be singing and acting.
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I'd grown up in a working class neighborhood in Baltimore, a place hard hit by the offshoring of numerous heavy industries - steel, textile, shipbuilding.
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I want to tell my jokes. I want to have time with my children. I want to entertain people. And at one point, I'll walk away from show business. But I don't want to walk away empty-handed.
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For me, the driving force is the audience, and the day that stops, I will stop doing films. The day a part of me stops feeling like putting a smile on someone else's face or if I feel like I don't want to entertain anymore, then I will pack up and leave.
