Vicky Krieps Quotes
For me, couture is like 35 mm. film. It's so important we school ourselves to see real quality. In a couture garment, as in a 35 mm. film, you really feel the life of the people who made it. In high-street fashion, it's different. There's no risk.
Quotes to Explore
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Real education enhances the dignity of a human being and increases his or her self-respect. If only the real sense of education could be realized by each individual and carried forward in every field of human activity, the world will be so much a better place to live in.
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When you challenge other people's ideas of who or how you should be, they may try to diminish and disgrace you. It can happen in small ways in hidden places, or in big ways on a world stage. You can spend a lifetime resenting the tests, angry about the slights and the injustices. Or, you can rise above it.
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Will and intellect are one and the same thing.
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Having been on tour in countries that are extremely eco-friendly, we automatically end up doing the things that normal people do in other countries.
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The lessons from the peace process are clear; whatever life throws at us, our individual responses will be all the stronger for working together and sharing the load.
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A complainer is like a Death Eater because there's a suction of negative energy. You can catch a great attitude from great people.
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We're not that much smarter than we used to be, even though we have much more information - and that means the real skill now is learning how to pick out the useful information from all this noise.
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I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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We want enough people adopting Bitcoin for a robust infrastructure. It's an act of patriotism. It gives the country a robust parallel system.
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It's important to have good tunes, but words are the thing for me.
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Good comics gravitate to each other; you know who's your type of person by watching them onstage, hopefully.
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I would definitely trade clothes with Lucy Hale. Her fashion sense is right on point, and I feel like she's never afraid to take risks with her clothes.
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Technology itself is neither good nor bad. People are good or bad.
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The more understanding we have about what's going on in our own brain will just make us more capable in our own jobs, in telling our kids we love them, and living a fulfilling life.
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The women putting their lives at risk for our country deserve better than to be treated as second-class citizens.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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My brother and I were separated when I was a child; we went with different parents.
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Most of our shows are about two and a half hours long.
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I'm not an activist per se, but I have strong feelings about things. People can jump on celebrities for being ill-informed or naive, but I've got a right to say what I believe.
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I would ask to tweak stuff during the action, because I thought Elektra would more likely express herself with a slap, for example. I wanted to keep the characteristics of my character even during the fights and express the violence as she would do it, not like somebody else would.
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I've always slightly preferred Spade to Marlowe, probably just because I thought Hammett was cooler than Chandler. He was leftwing, his name shortened to Dash rather than Ray, and he didn't smoke a pipe or like cats.
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I have become convinced that the most serious and unaddressed worldwide challenge is the deprivation and abuse of women and girls, largely caused by a false interpretation of carefully selected religious texts and a growing tolerance of violence and warfare.
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A lot of people feel that there is less artistry involved in cartoon making unless they have painstaking control of each frame.
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For me, couture is like 35 mm. film. It's so important we school ourselves to see real quality. In a couture garment, as in a 35 mm. film, you really feel the life of the people who made it. In high-street fashion, it's different. There's no risk.
