Lisa Jakub Quotes
My memoir is about my time in film and the decision to leave Hollywood, grow up, and stop pretending.
Quotes to Explore
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My views on everything from welfare to a balanced budget to affirmative action can be traced to what Buddy and Helen Watts taught me as a young boy growing up poor but proud in Eufaula.
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I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.
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Greater self-esteem produces greater success, and greater success produces more high self-esteem, so it keeps on spiraling up.
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I grew up, until age 6, in Chicago. My parents rented their apartment and, at the end of the Depression, my parents wanted to replicate that situation. So, again, we lived in a somewhat suburban setting outside of New York City, and again, they rented.
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Most Arab Israelis speak Hebrew, but not the other way around. It's about time that changed.
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There's very few people - like Shakespeare - who, no matter what, were gonna do what they did. For the rest of us, there's a lot of events that have to happen in order for things to end up the way they are.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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As an actor, I'm familiar with having bursts of energy, where you're giving things a try, and then you have down time.
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We have our own history, our own language, our own culture. But our destiny is also tied up with the destinies of other people - history has made us all South Africans.
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You have to grow thick skin and that only comes with time and learning.
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'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.
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I couldn't breathe. I - I went into - literally, my kidneys stopped functioning. They stopped, you know, processing the fluid that was starting to build up in my body.
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
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Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
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When I think about 'Since U Been Gone,' I think the first thing that comes to mind is 'Livin' On A Prayer' - they're kind of like sisters, a little bit. And 'Call Me Maybe' was so wildly original, and so quirky, and so satisfying.
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Everyone should be tested. Whenever they have a check-up, they should test for HIV, because if we can get to a point in our society where everyone is automatically tested, nobody will fall through the net.
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I love it now that a large minority of people who are handicapped prefer to call themselves crippled. This is all part of the game, like queer theory.
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So long as TARP money is wrapped up in GM, the company will never shake its 'Government Motors' image. That label, as competitors and GM employees are keenly aware, is code for one thing: 'GM is a failure.'
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My memoir is about my time in film and the decision to leave Hollywood, grow up, and stop pretending.
