Amanda Lindhout Quotes
Quotes to Explore
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The directors told me they were going to recruit good players with whom I could play decent football. Marko Marin, Oscar and me, we like to have the ball at our feet. Juan Mata likes the ball; so does Ramires.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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Running back was always my favorite position.
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The first wave of the Internet was really about data transport. And we didn't worry much about how much power we were consuming, how much cooling requirements were needed in the data centers, how big the data center is in terms of real estate. Those were almost afterthoughts.
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We're trying to build a platform utilizing the Internet that allows the good American people to speak out about their frustration about the polarized country that we live in politically.
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I carried through well with my tennis. I got the respect by usage of the tennis racket.
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I've lived in New York for 40 years. I came right after college.
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Comedians do movies and TV so that when they tour, they sell out. That's the goal: To get popular enough so the place is packed.
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Personally, of course it's exasperating when people think you're just swanning around in Europe, going to the occasional fashion show and then being glamorous at a party.
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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Strange bonds of trust and self-deception tend to grow between journalists and their subjects.
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Many of the issues we face in dealing with rapid climate change are well suited to an engineering mind.
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When I was a kid, of course I wanted to be the fastest, the loudest and the one with the biggest drum set, but obviously my aspirations have changed a bit since then.
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Kids get a lot of lip service in disaster planning, but they tend to get far fewer resources than they need. The mantra of 'children are our most valuable resource' is almost never matched by actual funding.
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People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
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I woke up on the plane this morning and was turning on my phone and I had to put my pin number in. That's when I realized that since the age of 10 I've been using 2012 as my pin number. But now that I've won gold in the 2012 Olympics, I've achieved that goal and, for the first time in 14 years, I'll have to change my pin.
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Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
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I've got that Beethoven energy, that Stravinsky energy. And it's all a gift from the Creator.
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I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
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In a way, I'm lucky that I was never classically trained and never went to a music college. I'm just from a normal working class family and happened to get obsessed with music as a teenager.
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The voice of parents is the voice of gods, for to their children they are heaven's lieutenants.
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The big shots are not the only ones who are important. Remember, you can't sell anything on Wall Street unless someone digs it up somewhere else first.
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I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
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What a woman is taught, she shares with her family.