Amanda Marshall Quotes
I was really, really, really enthusiastic as a kid. I was up for anything. I was hugely into music and theatre. I was a big musical theatre kid; I loved reading.

Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.
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Bill Mitchell said he really liked it. But when he asked the other four their opinions, we all took one look at ourselves in our raggedy long winter coats and cracked up. We knew we weren't likely to tempt anyone or anything, but what the hell, it was as good a name as any.
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I actually spend very little time listening to any new music.
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There's so much music in Austin, and it's all so different.
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I grew up about 60 miles northwest of New York, in Middletown, NY.
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So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I feel like I've grown up on screen quite a lot.
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Every little girl looks up to her mom so much - that's your first hero.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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Just about every actor wants to be a Disney cartoon voice at some point.
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The amount of attention and sensitivity and education that we're getting in terms of specifically the transgender community is great, and certainly that's new to me. But it's not incredibly unfamiliar. I grew up in downtown New York in the '80s.
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I've gone on streaks where I haven't shot the ball well here, but I was always making up for it in other areas, so it wasn't as big. It's just a part of the game. I got to do better with it.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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Music can be made anywhere, is invisible and does not smell.
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My dream was always to have an experience where an audience member would turn to another audience member, a stranger, and be like, 'What did we just go through?' And, like, kind of begin to talk.
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Bingo swayed like a jelly in a high wind.
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I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
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When I bagged 'Arundathi,' I don't think I knew how to act. It was because of director Shyamprasad Reddy that I delivered that performance.
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I've always liked the simplicity of the Black Panther costume. I've never liked when people give him flashy capes and other adornments.
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I was really, really, really enthusiastic as a kid. I was up for anything. I was hugely into music and theatre. I was a big musical theatre kid; I loved reading.