Tyler, The Creator Quotes
I'm an optimistic guy. I'm one of those big dreamers. I'm one of those kids with that annoying imagination.

Quotes to Explore
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What's really important to me is that we have fiscally responsible balanced budgets.
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People more than ever since I can remember are concerned about being out of step and out of line with their political party and won't cross over. There is nobody, man or woman, who wants to be left out, and people are fearful of that. People are fearful of their leadership as well.
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The harder you work, the luckier you get.
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Your private life is really very important for you. You know, all of us, you know.
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Searchers after horror haunt strange, far places.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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Responding to terrorism inevitably implies military consequences. This may shock some people, but these groups must also be dealt with on a military footing. I won't use the word 'combat' to avoid being painted as a crusader.
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I went to a couple of Rangers games at the Garden, and someone at the NHL had seen me and figured I was a fan and decided to approach me about having a blog during the playoffs.
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You don't have to feel confident to act confident. In fact, it's the most important acting job you can learn.
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I've never had any desire to be good. I don't like goodness particularly.
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I wake up every morning and I wish I were dead, and so does Jim.
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My mother's parents died when I was quite young, so I would like to be able to go back and know those people as an adult.
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I started out doing musicals.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
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For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it-even of my own music-with the same nuances forever.
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The payoffs in showbiz seemed as random as a slot machine.
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I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
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Nobody works harder than me in the ring; no one steals the show more often, and no one gets better reactions for a guy who's not even part of huge storylines.
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I'm an optimistic guy. I'm one of those big dreamers. I'm one of those kids with that annoying imagination.