Tyler, The Creator Quotes
I'm an optimistic guy. I'm one of those big dreamers. I'm one of those kids with that annoying imagination.
Quotes to Explore
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What's really important to me is that we have fiscally responsible balanced budgets.
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People more than ever since I can remember are concerned about being out of step and out of line with their political party and won't cross over. There is nobody, man or woman, who wants to be left out, and people are fearful of that. People are fearful of their leadership as well.
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The harder you work, the luckier you get.
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Your private life is really very important for you. You know, all of us, you know.
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Searchers after horror haunt strange, far places.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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I went to a couple of Rangers games at the Garden, and someone at the NHL had seen me and figured I was a fan and decided to approach me about having a blog during the playoffs.
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You don't have to feel confident to act confident. In fact, it's the most important acting job you can learn.
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I've never had any desire to be good. I don't like goodness particularly.
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I wake up every morning and I wish I were dead, and so does Jim.
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My mother's parents died when I was quite young, so I would like to be able to go back and know those people as an adult.
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I started out doing musicals.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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We recognized that for our future, and for the way the customer was now shopping, we had to have one point of view. All roads lead back to the customer.
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There's a lot of expectation after you do something that seems to have been well received. It's kind of unfair.
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I am a sociologist, God help me.
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I'm not really one for fancy, big words and poetry, and the scriptwriters worked very hard on 'Paradise Lost' to translate it.
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In L.A., retro culture is just part of the thing you do. When we were kids, we didn't have allowances, and it was not cool to wear designer clothes. So it meant that we were into 1920s dresses when we were 13.
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I'm an optimistic guy. I'm one of those big dreamers. I'm one of those kids with that annoying imagination.
