Amanda McBroom Quotes
When I was first introduced to the music of Jacques Brel, I was totally floored. I had never heard anything as intelligent or sexy or angry as his music.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.
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Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.
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I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
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When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
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I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
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It is not worth an intelligent man's time to be in the majority. By definition, there are already enough people to do that.
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It's a crazy world, so sports and athletics and music can be a form of escapism.
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Listening to soft music and the sound of the ocean is quite relaxing to me.
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I'm a big fan of 'Akira,' and I think comics are a great place to tell intelligent, fantastical stories. You can say stuff that you wouldn't be able to in other mediums.
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There were two things I used to do to seduce girls: jokes and music. Since I'm not a great pianist, jokes were my thing.
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No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
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My music is like a spinning ball. It can turn in one direction, and then it comes back to origins.
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It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
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I've always been one for show business. I like performing, and I used to get criticized for having production value. But now it's all that! People need to get what they pay for! Otherwise, just listen to recorded music.
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There's people making babies to my music. That's nice.
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Having a simple career as a musician who liked music was good enough for me.
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Action set pieces are my absolute favorite thing to write. I'm pretty much always in the mood to do them, but music certainly helps the process. I usually brainstorm out the dynamics and choreography of a fight to music beforehand - it gives me the little sparks of imagination when I get to the gaps in my own creativity.
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I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
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What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
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In recent years we've seen an explosion of creative programming, and I think it represents a third golden age of television because the creators have more control over the story. The audience doesn't care about the platform. They care about the content.
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AI don't make a big thing out of my race. If you try to preach, people give you a little sympathy and then they want to get out of the way. So you don't preach; you tell the story.
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Revolution is something that actually starts in individual hearts.
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When I was first introduced to the music of Jacques Brel, I was totally floored. I had never heard anything as intelligent or sexy or angry as his music.
