Amanda Schull Quotes
Every dancer has injuries, and your injury could happen that season that you were getting that one part that you've wanted to do your whole career. So you have to appreciate every single moment until it happens.
Quotes to Explore
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Producing food to eat is the single most destructive environmental activity humans engage in.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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In my career, I'm always trying to do something different.
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I'm trying to mix the cool, independent stuff with the big stuff, but it's been difficult finding the right roles. It's been an interesting ride as far as my career pendulum is concerned.
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If I had my time again and was able to change one thing from my career then I wouldn't have retired. I would have played for Wales longer.
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Even when I get to the point where I am acting and performing, where I want to be with my career, I'm never going to think of anyone as lower than me. Everyone's the celebrity of their own life, you know?
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The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and there's ongoing creative revelations. Yes, it's really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
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I've gotten to do a lot of stuff, traveled, worked hard at my career.
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I'm hoping that the administration and other thought leaders will succeed eventually in bringing the country back to the older idea that the American dream is having a career, getting a job, and getting involved in it, and doing well. That was the core of the good life.
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I spend 90 percent of my time saying no, and my accountant yells at me for it, but when I started in this business, I wanted my career to have legs.
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I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.
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My whole career I'm used to playing a lot of games.
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The whole theory of the universe is directed unerringly to one single individual.
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Tell your idea to whomever will listen, and you'll get valuable market feedback before writing a single line of code.
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I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
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The only reason I was allowed to have a career for a quarter century as an insult comic is because it's all in jest and all for fun.
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I can't accept the title, to win it this way doesn't mean anything to me.
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My reason for getting into the film business was a Spider-Man comic called 'The Night Gwen Stacy Died' when I was a kid; it changed my life.
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You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
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Every dancer has injuries, and your injury could happen that season that you were getting that one part that you've wanted to do your whole career. So you have to appreciate every single moment until it happens.
