Tyler James Williams Quotes
What I remember most about working on 'Sesame Street' is having fun in the green room with the other kids while waiting for my time to go on camera to work with the puppets.
Quotes to Explore
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
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Anything worth doing is worth doing slowly.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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I don't deal in pretentious kids' parties.
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The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
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It was all about flying round the world, working hard, being on the cover of Vogue, making money. It wasn't fun. It was exhausting, but I was young and convinced I knew best.
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I don't want to miss out on the chance of having a good time.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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Ultimately, my Ph.D. is in mathematical physics, focusing on quantum field theory and curved space-time, and I worked with Stephen Hawking.
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Nobody talks about how Puffy went to Howard University or about Lil Wayne attending the University of Houston. All the young kids know is what they see on the videos. They don't realize that these guys have taken managerial and business courses, and know how to brand and how to market themselves. They're very smart.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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Trust me, I would love to have a wife and kids. I would very much enjoy that. But I also know that you have to be in the right place to do that.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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When I first started, I worked with my father, Alex 'Little Bill' Wallace; he was a guitarist like B.B. King. I was around 13 when I started, and I learned a lot by looking and listening. I learned how to be a bandleader from watching that band work.
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When planning your wedding you make so many decisions: 'Do I want this fork or that fork?' But in the end people aren't going to remember what napkin holder you choose.
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Under no circumstances should you play fast if you have a winning position. Forget the clock, use all your time and make good moves.
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I had to learn that this whole God thing isn't just this big religion. It's really that He wants this relationship with us on a personal level.
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What I remember most about working on 'Sesame Street' is having fun in the green room with the other kids while waiting for my time to go on camera to work with the puppets.
