Lisa Scottoline Quotes
I get up around 8 o'clock, which gives me enough time to walk dogs and feed chickens and horses. Then I get to work in my home office upstairs, and basically, I don't stop until I've written 2,000 words and/or the Stephen Colbert show is over.
Quotes to Explore
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When you get to the point where you know the material so well and you know the character so well that you can just sort of play off of whoever your reader is - that's the best feeling at an audition.
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I think it's more important than ever to be as vocal as I can be about things I believe in outside of music.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this.
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Many people thought I would never succeed, because I am so Russian. So Russian, hundred percent.
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Youth all over the world are very hungry to succeed.
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It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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The politics of the Cape Town Metro, which allows an executive Mayoral committee to make secret decisions which affect you, behind closed doors, is wrong!
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There is a certain amount of dissatisfaction that goes with knowing your time, talent and abilities are not being properly used.
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For almost a century since 1918, the centralised nation-state has been the world's default political form. Its various experiments in industrialisation, urbanisation, mass literacy and consumerism have brought more people into public life.
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There are so many figures in our history that did not believe they could make a change, and they did.
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I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.
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I was looking for what was coming from a man's soul and a man's conviction. I didn't care about his past. If it was innate and natural and felt good to him and it communicated.
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I find the whole disdain for ageing crazy.
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I wish that television would stop selling our hatred of ourselves, and start seducing us with our love of ourselves.
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I was so ashamed of who I was.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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I have a strange career. I know it because people come up to me, like colleagues, and say, 'Chris, you have a strange career.'
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People tend to assume that I come from a long line of castle-dwelling gentry and am made of money.
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If you only think about yourself - how much money can I make, what can I buy, how nice is my house, what kind of fancy car do I have? - over the long term, I think, you get bored. I think your life becomes diminished. The way to live a full life is to think: What can I do for others?
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I get up around 8 o'clock, which gives me enough time to walk dogs and feed chickens and horses. Then I get to work in my home office upstairs, and basically, I don't stop until I've written 2,000 words and/or the Stephen Colbert show is over.
