Little Louie Vega Quotes
We'd take records you'd never hear in clubs and make them into club tracks. We were doing B-sides on records that had nothing to do with the songs, and calling them Masters at Work dubs.
Quotes to Explore
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It's hard to find an emblem of cultural, national pride that burns as bright as Israel's success in classical music.
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As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.
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Judge of your natural character by what you do in your dreams.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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I've raised Michael. I changed his diapers when he was little.
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I've spent most of my life doing some sort of exercise, but I've learned to never push myself into doing it. I know that when I am up for it I will, and when I'm not in the mood to, I don't make myself feel badly over it.
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Poetry is an art, the easiest to dabble in, but the hardest to reach true excellence.
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I bought a company in the mid-'90s called Dexter Shoe and paid $400 million for it. And it went to zero. And I gave about $400 million worth of Berkshire stock, which is probably now worth $400 billion. But I've made lots of dumb decisions. That's part of the game.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
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There are young idealists all around the world falling in love with the Yankees now and realists who are gravitating to the Red Sox. I think the universe is on its head.
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I'm not on Twitter, and I don't read the papers day to day, so I am somewhat protected. There's this weird separation between your private and public persona.
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Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
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My mom was an actress in the local Seattle theater doing experimental plays.
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I don't know how anyone could stop working.
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In a democracy, the majority of the citizens is capable of exercising the most cruel oppressions upon the minority.
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I get a different kind of lyric from someone else that might make me go in a different musical direction.
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I actually got started in acting when I was in pre-school. I was really into dance and performing, so my mom had me in dance classes, and then I got involved in a local theater company.
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I really don't care at all what people call me as long as they're listening to the music and talking about it. They can call me a space-jazz flautist. I don't care at all.
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Never undertake anything for which you wouldn't have the courage to ask the blessings of heaven.
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The original Spencer Tracy version of 'The Old Man and the Sea' was always terribly flawed because of the over-reliance on voice over, but it's still a beautiful movie.
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The skills that we have are the actual magic skills - not the performing skills. We have to separate those. But the actual skills that make the tricks work, we don't get to use again.
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Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.
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We'd take records you'd never hear in clubs and make them into club tracks. We were doing B-sides on records that had nothing to do with the songs, and calling them Masters at Work dubs.
