Amelie Mauresmo Quotes
You have to adjust to where you are but the French are all together - the guys and the women. It's good.
Quotes to Explore
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What the Beatles did was something incredible, it was more than what a band could do. We have to give them respect.
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Free people make the only milieu possible in society for the full gift of one's self to church, state, and family. Free people enjoy and sustain and feel with one another because they live for one another. The paths of life are intermingled lives.
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I'm not in the K-1 tournament. We thought about it but they really don't want me as they feel I might get hurt so that's fine with me but I do see a lot of guys out there that I feel I can take.
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I don't pretend to be anything but an actor and a writer.
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He who would not be idle, let him fall in love.
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Since grief only aggravates your loss, grieve not for what is past.
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My work in the House of Representatives, at this time in my life, is completed. It is time to return home.
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Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'
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Democracy presumes that we're all created equal; competition proves we are not, or else every race would end in a tie.
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But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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I've never had a job. I've never needed to.
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My mother's kitchen was built to be the focal point of our house. I got into the kitchen often as a child.
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And in fact I don't believe there is such a thing as a definitive picture of something. The land is a living, breathing thing and light changes its character every second of every day. That's why I love it so much.
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Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
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The trouble with glossy magazines is that they tend to be stuffed with articles about handbag designers - the sort of women who, with their perfectly styled lives, immaculate houses, and adoring partners, make you want to become a hermit.
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I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
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Adultery is the application of democracy to love.
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As Members of Congress and people of conscience, we must work to overcome the indifference and distortions of history, and ensure that future generations know what happened.
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I've always played strong women who are doing their own thing.
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One of the greatest snares is the number of good things we might do. Jesus Christ never did the good things He might have done, He did everything He ought to do because He had His eye fixed on His Father's will and He sacrificed Himself for His Father.
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The timing of death, like the ending of a story, gives a changed meaning to what preceded it.
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I grew up as a child living 'Red Dawn.' I was leaping out of spider holes, mowing down Russkies at the age of eight.
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You have to adjust to where you are but the French are all together - the guys and the women. It's good.
